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Bart., R.A. No. 122. _Question of taste_. "Do these trousers go well with my Academicals? No. So I'll only show just a little bit of 'em, _knee plus ultra_. That'll please the artist." J. J. SHANNON. No. 144. "_When Earthly Shapes are wrapped in Gloom._" Miss A. ALMA-TADEMA. No. 160. "I blacked my face last night to play the part of a female Christy Ministrel, and I haven't quite succeeded in getting it off this morning. Isn't it a pity, eh, Mr. EDWIN WARD?" No. 162. _The Playful Monster._ C. N. KENNEDY. No. 164. "_Coming a Quiet Chuckle._" Old Gentleman thinking over a good story, on which he calculates being asked out for the entire season. PERCY BIGLAND. No. 185. _The Ferry._ Charming! Ferry much so. G. H. BOUGHTON, A.R.A. No. 186. Dialogue overheard in front of this:-- _He._ Is that a portrait? _She._ Yes; I think so. _He._ Whose? _She (after referring to catalogue)._ GEORGE LEWIS. _He (suddenly, after a pause)._ Who's GEORGE LEWIS?!!!!! What the reply was we don't know,--the question was too much for us, and we were caught in an attendant's arms, taken upstairs tenderly, and treated with care in the refreshment room. Who could imagine such ignorance possible in this "so-called Nineteenth Century!" "Who is GEORGE LEWIS!" ... "Ask a policeman." * * * * * MR. PUNCH'S DICTIONARY OF PHRASES. JOURNALISTIC CRITICISM. "_This piece must come off at once_;" _i.e._, "I've got one which would just come in nicely, and could let 'em have it cheap." "_The dialogue is poor, the plot badly constructed_;" _i.e._, "These are the two things for which everybody is going to praise this dramatic author. So I'll have my knife into him." "_The music is pretty enough, though some of the principal melodies irresistibly call to mind the popular works of other composers_;" _i.e._, "He'll be praised for his originality. Bah! I've written things just as good as these." "_A most amusing Article, but a little of it goes a long way_;" _i.e._, Is tired of his subject, and wants to turn his attention to something else. SOCIAL. "_It's a very curious fact_;" _i.e._, "Now to pile on the embroidery." "_Now, do drop all formality, and look in to dinner quite in a friendly way. But you must take us just as you find us_;" _i.e._, "It counts as a formal invitation, and he's sure not to come." "_You can't come! Oh, I'm so sorry!_" _i.e._, "Didn't even know I'd asked her."
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