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not, in his Tables of Ancient Coins, Weights, and Measures, a topic extremely barren of amusement, takes every opportunity of enlivening the dulness of his task; even in these mathematical calculations he betrays his wit; and observes that "the polite Augustus, the emperor of the world, had neither any glass in his windows, nor a shirt to his back!" Those uses of glass and linen indeed were not known in his time. Our physician is not less curious and facetious in the account of the _fees_ which the Roman physicians received. LEGENDS. Those ecclesiastical histories entitled Legends are said to have originated in the following circumstance. Before colleges were established in the monasteries where the schools were held, the professors in rhetoric frequently gave their pupils the life of some saint for a trial of their talent at _amplification_. The students, at a loss to furnish out their pages, invented most of these wonderful adventures. Jortin observes, that the Christians used to collect out of Ovid, Livy, and other pagan poets and historians, the miracles and portents to be found there, and accommodated them to their own monks and saints. The good fathers of that age, whose simplicity was not inferior to their devotion, were so delighted with these flowers of rhetoric, that they were induced to make a collection of these miraculous compositions; not imagining that, at some distant period, they would become matters of faith. Yet, when James de Voragine, Peter Nadal, and Peter Ribadeneira, wrote the Lives of the Saints, they sought for their materials in the libraries of the monasteries; and, awakening from the dust these manuscripts of amplification, imagined they made an invaluable present to the world, by laying before them these voluminous absurdities. The people received these pious fictions with all imaginable simplicity, and as these are adorned by a number of cuts, the miracles were perfectly intelligible to their eyes. Tillemont, Fleury, Baillet, Launoi, and Bollandus, cleared away much of the rubbish; the enviable title of _Golden Legend_, by which James de Voragine called his work, has been disputed; iron or lead might more aptly describe its character. When the world began to be more critical in their reading, the monks gave a graver turn to their narratives; and became penurious of their absurdities. The faithful Catholic contends, that the line of tradition has been preserved unbroken; no
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