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reat enthusiasm. Please to accept of and give our loves to Mrs. Butts and your amiable family, and believe me ever yours affectionately. TO THE SAME _The poet and William Hayley_ Felpham, 6 _July_, 1803. ... We look forward every day with pleasure toward our meeting again in London with those whom we have learned to value by absence no less perhaps than we did by presence; for recollection often surpasses everything. Indeed, the prospect of returning to our friends is supremely delightful. Then, I am determined that Mrs. Butts shall have a good likeness of you, if I have hands and eyes left; for I am become a likeness-taker, and succeed admirably well. But this is not to be achieved without the original sitting before you for every touch, all likenesses from memory being necessarily very, very defective; but Nature and Fancy are two things, and can never be joined, neither ought any one to attempt it, for it is idolatry, and destroys the Soul. I ought to tell you that Mr. H. is quite agreeable to our return, and that there is all the appearance in the world of our being fully employed in engraving for his projected works, particularly Cowper's _Milton_--a work now on foot by subscription, and I understand that the subscription goes on briskly. This work is to be a very elegant one, and to consist of all Milton's Poems with Cowper's Notes, and translations by Cowper from Milton's Latin and Italian poems. These works will be ornamented with engravings from designs by Romney, Flaxman, and your humble servant, and to be engraved also by the last-mentioned. The profits of the work are intended to be appropriated to erect a monument to the memory of Cowper in St. Paul's or Westminster Abbey. Such is the project; and Mr. Addington and Mr. Pitt are both among the subscribers, which are already numerous and of the first rank. The price of the work is six guineas. Thus I hope that all our three years' trouble ends in good-luck at last, and shall be forgot by my affections, and only remembered by my understanding, to be a memento in time to come, and to speak to future generations by a sublime allegory, which is now perfectly completed into a grand Poem. I may praise it, since I dare not pretend to be any other than the secretary; the authors are in Eternity. I consider it as the grandest Poem that this world contains. Allegory addressed to the intellectual powers, while it is altogether hidden from the corporeal
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