reat enthusiasm. Please to accept of and give our loves to Mrs. Butts
and your amiable family, and believe me ever yours affectionately.
TO THE SAME
_The poet and William Hayley_
Felpham, 6 _July_, 1803.
... We look forward every day with pleasure toward our meeting again
in London with those whom we have learned to value by absence no less
perhaps than we did by presence; for recollection often surpasses
everything. Indeed, the prospect of returning to our friends is
supremely delightful. Then, I am determined that Mrs. Butts shall have
a good likeness of you, if I have hands and eyes left; for I am become
a likeness-taker, and succeed admirably well. But this is not to be
achieved without the original sitting before you for every touch, all
likenesses from memory being necessarily very, very defective; but
Nature and Fancy are two things, and can never be joined, neither
ought any one to attempt it, for it is idolatry, and destroys the
Soul.
I ought to tell you that Mr. H. is quite agreeable to our return,
and that there is all the appearance in the world of our being fully
employed in engraving for his projected works, particularly Cowper's
_Milton_--a work now on foot by subscription, and I understand that
the subscription goes on briskly. This work is to be a very elegant
one, and to consist of all Milton's Poems with Cowper's Notes, and
translations by Cowper from Milton's Latin and Italian poems. These
works will be ornamented with engravings from designs by Romney,
Flaxman, and your humble servant, and to be engraved also by
the last-mentioned. The profits of the work are intended to be
appropriated to erect a monument to the memory of Cowper in St. Paul's
or Westminster Abbey. Such is the project; and Mr. Addington and Mr.
Pitt are both among the subscribers, which are already numerous and of
the first rank. The price of the work is six guineas. Thus I hope that
all our three years' trouble ends in good-luck at last, and shall be
forgot by my affections, and only remembered by my understanding, to
be a memento in time to come, and to speak to future generations by a
sublime allegory, which is now perfectly completed into a grand Poem.
I may praise it, since I dare not pretend to be any other than the
secretary; the authors are in Eternity. I consider it as the grandest
Poem that this world contains. Allegory addressed to the
intellectual powers, while it is altogether hidden from the corporeal
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