FREE BOOKS

Author's List




PREV.   NEXT  
|<   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94  
95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   >>   >|  
nce your body. [Sidenote: Pose] The _poses_ of your body, too, are suggestive of ideas about your mental make-up. The quiet pose aids in making impressions of the qualities of solidity of purpose, of calmness, of confidence, etc. The active pose is suggestive of enthusiasm, force, hustling, and the like. Your pose should be suited to the vocation you have chosen. In a bank, for instance, the quiet pose of assured efficiency perfectly suits the atmosphere of safety and security. In a factory, on the other hand, you are likely to make a better impression with a much more active pose that matches the energy and speed of manufacturing operations. You should not, however, take any pose as a _pretense_. Whatever poses you employ to augment the things you say should be used as _means for the better communication of truth, not to falsify_ in any degree. And you will need to be extremely careful lest you over-do a particular pose and suggest affectation. Doubtless you have characteristic poses. Analyze yourself. _Determine what your habits of pose mean to other people_. Then make such changes in your characteristic poses as will signify only the best traits you have. [Sidenote: Action] Next we will make a brief study of _actions_ from four viewpoints. First, the _lines_ of action; Second, the _directions_ of action; Third, the _planes_ of action; Fourth, the _tension_ or the _laxity_ of action. [Sidenote: Lines of Action] All movements are in straight, single curved, or multiple curved _lines of action_. Each of these classes of movements creates a _particular impression_ when it is perceived--an impression very different from that produced by movements of either of the other classes. It will help you greatly in your ambition to succeed if you understand the _exact significance_ of your every action along the various lines, and if you employ intelligently the right movements to suggest the particular ideas you wish to convey. The straight gesture always indicates an appeal to mentality. Use it to aim ideas at the other man's _mind_. The single curve, or wave movement, invariably denotes feeling. Employ it to reach into the breast of the other man and influence his _heart_. The gesture of double curves signifies power. It should be employed to _dominate_ both the mind and actions of the prospect--to _make_ him _think_ and _do_ the things you will. [Sidenote: Directions Of Actions] The differen
PREV.   NEXT  
|<   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94  
95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   >>   >|  



Top keywords:
action
 

movements

 

Sidenote

 
impression
 

things

 

suggest

 

employ

 

gesture

 

classes

 

straight


single

 
suggestive
 

characteristic

 
active
 
curved
 

Action

 

actions

 

greatly

 

Fourth

 

directions


planes

 

Second

 

succeed

 

ambition

 

multiple

 
creates
 

perceived

 

produced

 

laxity

 

tension


double

 

curves

 
signifies
 

influence

 

Employ

 

breast

 

employed

 

Directions

 

Actions

 

differen


dominate
 
prospect
 

feeling

 

denotes

 

convey

 
intelligently
 

significance

 
appeal
 
movement
 

invariably