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The Project Gutenberg EBook of Punch Volume 102, May 28, 1892, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Punch Volume 102, May 28, 1892 or the London Charivari Author: Various Release Date: January 14, 2005 [EBook #14690] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK PUNCH VOLUME 102, MAY 28, 1892 *** Produced by Malcolm Farmer, William Flis, and the PG Online Distributed Proofreading Team. PUNCH, OR THE LONDON CHARIVARI. VOL. 102. May 28, 1892. VENICE RESERVED. (_A SKETCH FROM A NUMBERED STALL AT OLYMPIA._) On the Stage, the Scene represents "A Public Place before the Arsenal," where a number of artisans are apparently busily engaged in making horse-shoes on cold anvils in preparation for the launch of "_The Adriatica_." On extreme R. enter _Antonio_, who expresses commercial embarrassment by going through a sort of dumb-bell exercise on a bridge. On extreme L. enter _Bassanio_, _Lorenzo_, and _Antonio_, who observe, with mild surprise, that there are several other persons present, and proceed to point out objects of local interest to one another with the officious amiability of persons in the foreground of hotel advertisements. (_Here a Small Boy in a box, who has an impression he is going to see a Pantomime, inquires audibly "when the Clown Part will begin?" and has to be answered and consoled._) _Bassanio_ perceives _Antonio_ afar off, and advances towards him with stately deliberation, throwing out signals with one arm at intervals; _Antonio_ goes to meet him; they shake each other by both hands with affectionate cordiality, and then turn their backs on one another, as though, on reflection, they found they had less to say than they had imagined. Presently _Bassanio_ recollects why he wanted to see _Antonio_ so particularly, and, by describing a circle in the air, and pointing from the electric lights above to the balcony stalls in front, and tapping his belt, puts _Antonio_ at once in possession of his chronic impecuniosity, his passion for _Portia_, and his need for a small temporary loan. _Antonio_ curls up his fists, raises them to the level of his ears, and then pretends to take
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