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dancing can produce ejaculation in her partner. Most usually the process is that voluptuous contact and revery which, in English slang, is called "spooning." From first to last there need not be any explicit explanations, proposals, or declarations on either side, and neither party is committed to any relationship with the other beyond the period devoted to flirtage. In one form, however, flirtage consists entirely in the excitement of a conversation devoted to erotic and indecorous topics. Either the man or the woman may take the active part in flirtage, but in a woman more refinement and skill is required to play the active part without repelling the man or injuring her reputation. Indeed, much the same is true of men also, for women, while they often like flirting, usually prefer its more refined forms. There are infinite forms of flirtage, and while as a preliminary part of courtship, it has its normal place and justification, Forel concludes that "as an end in itself, and never passing beyond itself, it is a phenomenon of degeneration." From the French point of view, flirtage and flirtation generally have been discussed by Madame Bentzon ("Family Life in America," _Forum_, March, 1896) who, however, fails to realize the natural basis of flirtation in courtship. She regards it as a sin against the law "Thou shalt not play with love," for it ought to have the excuse of an irresistible passion, but she thinks it is comparatively inoffensive in America (though still a deteriorating influence on the women) on account of the temperament, education, and habits of the people. It must, however, be remembered that play has a proper relationship to all vital activities, and that a reasonable criticism of flirtation is concerned rather with its normal limitations than with its right to exist (see the observations on the natural basis of coquetry and the ends it subserves in "The Evolution of Modesty" in volume i of these _Studies_). While flirtation in its natural form--though not in the perverted form of "flirtage"--has sound justification, alike as a method of testing a lover and of acquiring some small part of the art of love, it remains an altogether inadequate preparation for love. This is sufficiently shown by the frequent inaptitude for the art of love, and even for the mere physical act of lo
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