should pay--and all subsequent ones--25 cents a number.
Cost of first number (20,000 copies) $2,000. Give most of them away,
sell the rest. Advertising and other expenses--cost unknown. Send one to
all newspapers--it would get a notice--favorable, too.

But we cannot undertake it until L. A. L, is out of the way. With our
hands free and some capital to spare, we could make it hum.

Where is the Shelley article? If you have it on hand, keep it and I will
presently tell you what to do with it.

Don't forget to tell me.

Yours Sincerely
S. L. C.

The Shelley article mentioned in this letter was the "Defense of
Harriet Sheller," one of the very best of his essays. How he could
have written this splendid paper at a time of such distraction
passes comprehension. Furthermore, it is clear that he had revised,
indeed rewritten, the long story of Pudd'nhead Wilson.

*****

To Fred J. Hall, in New York:

July 30, '93.

DEAR MR. HALL,--This time "Pudd'nhead Wilson" is a success! Even Mrs.
Clemens, the most difficult of critics, confesses it, and without
reserves or qualifications. Formerly she would not consent that it be
published either before or after my death. I have pulled the twins apart
and made two individuals of them; I have sunk them out of sight, they
are mere flitting shadows, now, and of no importance; their story has
disappeared from the book. Aunt Betsy Hale has vanished wholly, leaving
not a trace behind; aunt Patsy Cooper and her daughter Rowena have
almost disappeared--they scarcely walk across the stage. The whole story
is centered on the murder and the trial; from the first chapter the
movement is straight ahead without divergence or side-play to the murder
and the trial; everything that is done or said or that happens is a
preparation for those events. Therefore, 3 people stand up high, from
beginning to end, and only 3--Pudd'nhead, "Tom" Driscoll, and his nigger
mother, Roxana; none of the others are important, or get in the way of
the story or require the reader's attention. Consequently, the scenes
and episodes which were the strength of the book formerly are stronger
than ever, now.

When I began this final reconstruction the story contained 81,500 words,
now it contains only 58,000. I have knocked out everything that delayed
the march of the story--even t