--I find the Madam ever so much better in health and
strength. The air is superb and soothing and wholesome, and the Chalet
is remote from noise and people, and just the place to write in. I shall
begin work this afternoon.

Mrs. Clemens is in great spirits on, account of the benefit which she
has received from the electrical treatment in Paris and is bound to take
it up again and continue it all the winter, and of course I am perfectly
willing. She requires me to drop the lecture platform out of my mind and
go straight ahead with Joan until the book is finished. If I should have
to go home for even a week she means to go with me--won't consent to be
separated again--but she hopes I won't need to go.

I tell her all right, "I won't go unless you send, and then I must."

She keeps the accounts; and as she ciphers it we can't get crowded for
money for eight months yet. I didn't know that. But I don't know much
anyway.

Sincerely yours,
S. L. CLEMENS.

The reader may remember that Clemens had written the first half of
his Joan of Arc book at the Villa Viviani, in Florence, nearly two
years before. He had closed the manuscript then with the taking of
Orleans, and was by no means sure that he would continue the story
beyond that point. Now, however, he was determined to reach the
tale's tragic conclusion.

*****

To H. H. Rogers, in New York:

ETRETAT,
Sunday, Sept. 9, '94.

DEAR MR. ROGERS, I drove the quill too hard, and I broke down--in my
head. It has now been three days since I laid up. When I wrote you a
week ago I had added 10,000 words or thereabout to Joan. Next day I
added 1,500 which was a proper enough day's work though not a full one;
but during Tuesday and Wednesday I stacked up an aggregate of 6,000
words--and that was a very large mistake. My head hasn't been worth a
cent since.

However, there's a compensation; for in those two days I reached and
passed--successfully--a point which I was solicitous about before I ever
began the book: viz., the battle of Patay. Because that would naturally
be the next to the last chapter of a work consisting of either two books
or one. In the one case one goes right along from that point (as I shall
do now); in the other he would add a wind-up chapter and make the book
c