great event
took place about half past. We tried pathetic appeals to the
wandering waiters, who told us, "They are coming, sir," in a
soothing tone, and we tried stern remonstrance, and they
then said, "They are coming, sir," in a more injured tone;
and after all such appeals they retired into their dens, and
hid themselves behind side-boards and dish-covers, and still
the chops came not. We agreed that of all virtues a waiter
can display, that of a retiring disposition is quite the
least desirable....
The pen refuses to describe the sufferings of some of the
passengers during our smooth trip of ninety minutes: my own
sensations were those of extreme surprise, and a little
indignation, at there being no other sensations--it was not
for _that_ I paid my money....
We landed at Calais in the usual swarm of friendly natives,
offering services and advice of all kinds; to all such
remarks I returned one simple answer, _Non!_ It was
probably not strictly applicable in all cases, but it
answered the purpose of getting rid of them; one by one they
left me, echoing the _Non_! in various tones, but all
expressive of disgust.
At Cologne began that feast of beautiful things which his artistic
temperament fitted him so well to enjoy. Though the churches he
visited and the ceremonies he witnessed belonged to a religious system
widely different from his own, the largeness and generosity of his
mind always led him to insist upon that substratum of true
devotion--to use a favourite word of his--which underlies all forms of
Christianity.
We spent an hour in the cathedral, which I will not attempt
to describe further than by saying it was the most beautiful
of all churches I have ever seen or can imagine. If one
could imagine the spirit of devotion embodied in any
material form, it would be in such a building.
In spite of all the wealth of words that has been expended upon German
art, he found something new to say on this most fertile subject:--
The amount of art lavished on the whole region of Potsdam is
marvellous; some of the tops of the palaces were like
forests of statues, and they were all over the gardens, set
on pedestals. In fact, the two principles of Berlin
architecture appear to me to be these. On the house-tops,
wherever there is a convenient place, put up the figure of a
man; he
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