y printers are drunk or my manager has delirium tremens! I shall pursue
my end through all chances and in spite of all their tricks, and I shall
crush them, crush them--I shall--. (Gives way to a paroxysm of rage.
At this moment the MAID comes in with the DOCTOR'S ASSISTANT. The MAID
rushes into the bedroom. The EDITOR starts up.) Who is that? What do you
want?
The Doctor's Assistant (coldly). What do _you_ want here?
The Editor. I? Oh, I was called up to help the sick man into his bed.
The Doctor's Assistant (as before). Ah!--so it was _you_! (A pause.)
The Editor. Have you ever seen me before?
The Doctor's Assistant. Yes. I have heard you grind your teeth before
this. (Goes into the bedroom.)
The Editor (after standing for a moment looking after him). They will
all look at me to-morrow like that-with those cold eyes. "Every man's
hand against him, and his hand against every man;" there can only be one
end to that. To-night, the meeting--and Harald Rejn will take them
by storm. To-morrow, his brother's death--and my new article in the
paper--and, in addition to that, those about Evje, who at present is
only angry. And the election in two days! Oh, yes, he will be elected
now. So I may as well give it all up at once. I would change places with
any wolf that has a lair to hide in. Those cold eyes of his! (Shudders.)
That is how every one will look at me to-morrow! They have pierced
through my armour! (The DOCTOR'S ASSISTANT comes back, and the EDITOR
makes an effort to resume his former confident manner.)
The Doctor's Assistant. I don't know whether you will be glad to hear
that it is all over.
The Editor (under his breath). You brute!
The Doctor's Assistant. His old housekeeper does not feel equal to
coming here to tell you what his last words were. They were: "Forgive
him!" (Goes out.)
The Editor (sitting down, then getting up again). No, I mustn't be found
here. (Walks about the room on tiptoe, as if he were afraid of waking
some one. When he comes opposite to the bedroom door, he turns towards
it, stretches out his arms and says:) Give me your forgiveness too!
ACT IV
(SCENE.--A large and handsomely furnished sitting-room at the EVJE'S.
The room is brightly lit and the fire burning. The entrance door is on
the right, and beyond it a door leading to the dining-room. INGEBORG
is busy taking the covers off the chairs, folding them carefully as she
does so. After a little, the bell rings. S
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