FREE BOOKS

Author's List




PREV.   NEXT  
|<   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239  
240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   >>   >|  
ld of battle, or rather, the several smaller fields of battle became one large one. Balzac's fiction reproduces the later phase in minute detail, and, mostly, with a treatment suited to the subject. Brunetiere, whose chapter on the _Comedy_ is written more gropingly than the rest of his study of the novelist, makes use of an ingenious comparison with intent to persuade that the stories had from the very first a predestined organic union, with ramifications which the author saw but obscurely and which were joined together more closely--as also more consciously--during the lapse of years. "Thus," he says, "brothers and sisters, in the time of their infancy or childhood, have nothing in common except a certain family resemblance--and this not always. But, as they advance in age, the features that individualized them become attenuated, they return to the type of their progenitors, and one perceives that they are children of the same father and mother. Balzac's novels," he concludes, "have a connection of this kind. In his head, they were, so to speak, contemporary." The simile is not a happy one. It does not help to reconcile us to an artificial approximation of books that are heterogeneous, unequal in value, and, frequently, composed under influences far removed from the after-thought that was given to them by a putative father. Balzac was not well inspired in relating his novels to each other logically. Such natural relationship as they possess is that of issuing from the same brain, though acting under varying conditions and in different states of development; and it is true that, if the story of this brain is known, and its experiences understood, a certain classification might be made--perhaps more than one--of its creations, on account of common traits, resemblances of subject or treatment, which could serve to link them together loosely. But, between this arrangement and the artificial hierarchy of the _Comedy_, it is impossible to find a bridge to pass over. One of the real links betwixt the novels is the reappearance of the same people in many of them, which thing is not in itself displeasing. It has the advantage of allowing the author to display his men and women in changed circumstances, to cast side-lights upon them, and to reveal them more completely. However, here and there, we pay for the privilege in meeting with bores whose further acquaintance we would fain have been spared. And then, also, we are l
PREV.   NEXT  
|<   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239  
240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   >>   >|  



Top keywords:

novels

 

Balzac

 

common

 

author

 

artificial

 
battle
 

father

 

subject

 
Comedy
 

treatment


creations
 
states
 

development

 

classification

 
understood
 

experiences

 

conditions

 

relating

 

logically

 
inspired

putative

 

privilege

 
acting
 

varying

 

issuing

 

meeting

 
natural
 

relationship

 
possess
 
spared

people

 

reappearance

 
reveal
 

acquaintance

 

betwixt

 

displeasing

 

changed

 

circumstances

 

display

 
advantage

lights

 

allowing

 

thought

 

However

 

traits

 
resemblances
 

loosely

 

bridge

 

completely

 
arrangement