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rs; they bring forth to-day, to-morrow, continually." It may be, after all, that the difference is one of those verbal ones to which Locke draws attention in his _Essay on the Human Understanding_. Will-power is partly an inheritance and partly an acquisition. And acquired qualities are always less puissantly exercised, less effective in the results obtained. Even in poetry it would appear that, without will to unlock the door, fine faculties that are dormant may never make their existence known. Balzac gives us an example of a native will that was for ever rushing through his being and arousing to activity first one and then another of his native powers. And, if the total accomplishment was not conform to the tremendous liberation of force, it was because there was circumstance harder than will and the intershock of energies that ran counter to each other. In fine, alas! there is something absent from the man which would have both beautified himself and added a saner beauty to his work--the pursuit of those finer ideals which mean consistent devotion to duty and broad sympathy with human nature, irrespective of nation, colour, and position, in its yearnings and in its fate. Fascinated by material aims, worshipping the Napoleonic epopee to the extent of framing his conduct by it, measuring the happiness of existence rather by its honours and furniture than by its moral attainments, he missed the first poetry of love as he missed the last wisdom of age. This limitation of the man makes itself sorely felt in his writings, where we, more often than not, tread a Dane's _Inferno_, unrelieved by the brighter glimpses and kindlier impulses that still are found in our world of self-seeking and suffering. End of the Project Gutenberg EBook of Balzac, by Frederick Lawton *** END OF THIS PROJECT GUTENBERG EBOOK BALZAC *** ***** This file should be named 3822.txt or 3822.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/8/2/3822/ Produced by Dagny; and John Bickers Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of
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