ate, she wrote only once or
twice during 1841; and, as chance would have it, these letters were
lost, so that, for nearly twelve months, he had no news from her.
Pathetically he announced that his sister was planning to marry him to
a Mademoiselle Bonnard, god-daughter to King Louis-Philippe; but still
no answer came. On the 1st of November, as he related to his Eve
afterwards, he lost one of the two shirt-studs which Madame de Berny
had given him, and which he wore alternately with another pair
presented to him by Madame Hanska. Beginning on the morrow, he put on
thenceforth only the pair that Eve had given him; and this trifling
occurrence affected him so much that all his familiars noticed it. He
looked upon the loss as a sign from Heaven. Poor Madame de Berny! Now
that the stud from her had disappeared, he had no further tenderness
for her memory. Instead of recalling her kindness to him, he preferred
to speak, in connection with what he styled his horrible youth, of the
years which she--the _Dilecta_--had tarnished. Too opportune to be
sincere, this condemnation of his first liaison cannot but be regarded
as an incense of flattery offered to the coy goddess of his later
vows.
The third of the three principal books of 1841 was the _Diaries of Two
Young Wives_, written, like the _Country Doctor_ and the _Village
Cure_, in a decidedly didactic tone. We have two girl friends, Renee
de Maucombe and Louise de Chaulieu, reared in a convent school, who
marry, each with an ideal of wedlock that differs. The former, a
doctor in stays, as her school companion calls her, seeks in marriage
a calm domestic happiness, the duties and joy of motherhood, and has a
husband worthy but commonplace, to whom she gives herself at first
without much positive attachment on her side. The latter makes of love
a passion, and marries a Spanish exile, plain-looking but virile, whom
she bends to her will. The two wives exchange their impressions during
their early years of matrimony, and we see the happiness of the one
develop while that of the other diminishes. The Spaniard dies and
Louise de Chaulieu takes a second husband, a poor poet, whom she
adores as much as her Spaniard had adored her. Carrying him off to
Ville-d'Avray, she creates there a snug Paradise, where she fondles
him as if he were a toy, until at length her feverish jealousy brings
on her own illness and death.
The novel in its earlier phases was being worked at together with
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