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. The journey back through Genoa, the Grisons, and Bale was a pretext for continuing his bric-a-brac purchases, Holbein's _Saint Peter_ being added to his treasures. Reaching Paris at last, he now took up his pen with his old ardour. Fresh pledges for the future had been given him by Eve. These served to lure him onward; and behind him were the creditors who had lent him money for his trip, and were wanting some of it restored. At this period Madame Hanska's funds and his own were partly associated. Some of her capital and some of his own, probably the sum accruing from the sale of Les Jardies, at present definitive, had been invested in North Railway Shares. Besides, not a few of his paintings and antique pieces of furniture had been paid for with advances from her strong-box. The two works that issued from his new effort of creation were _Cousin Bette_ and _Cousin Pons_. These, with _Pierrette_, made up his series of the _Poor Relations_. The _Old Musician_, as he originally called _Pons_, was meant to give us the case of a man overwhelmed with humiliations and insults, yet preserving his generosity and pardoning everybody and everything, avenging himself only through kindness. Composed, like _Cesar Birotteau_, very rapidly, it bears evidence of the author's haste. There is no proper love interest in the book, the lack being supplied by the friendship between Pons and the old German musician, Schmucke. A number of subordinate biographies are interwoven with the principal story--those of the banker Brunner, the Auvergnat Remonencq, the Cibots, who were Pons' porters and caterers, Doctor Poulain and Lawyer Fraisier. We have plots within plots, wheels within wheels, in this strange, pathetic life of the musician, whose collecting hobby and expert's skill in finding out rarities Balzac dwells on with all the greater detail as he was indulging at that time his own bent in this direction with peculiar zest and success. But the complexity and crowding are foils one is glad to have against the sordid treachery of the Cibot household, as, too, against the woes of Pons and Schmucke. Perhaps nowhere in his achievement has the novelist got deeper down to the rockbed of genuine humanity than in this work. _Cousin Pons_ was published in 1847. _Cousin Bette_ came a year earlier. Besides the two novels just mentioned, Balzac finished, during this same period, the long series in which _Vautrin_ is a chief, if not the chief, c
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