age. So vivid is the sober
realism of this fine story that the public believed the relation to be
plain, unvarnished facts, and were astonished at the writer's daring
to reveal them in all their detail.
Balzac's autumn trip was prolonged as far as Annecy and Geneva. He had
intended going on to Italy in company with the Duke de Fitz-James. The
latter journey, however, was ultimately abandoned, as he did not
succeed in raising the thousand crowns it required. Travelling on the
top of a coach, he had rather a serious accident when going to Aix. He
was climbing up to the front seat just as the horses set off, and,
having missed his footing, fell with all his weight against the iron
step. The strap, which he clutched in his fall, saved him from coming
to the ground; but the impact of his eighty-four kilograms caused the
sharp iron to enter the flesh of his leg pretty deeply. This wound
took some time to heal, and the annoyance it cause him was aggravated
by an additional malady in his stomach which he tried to deal with by
consulting a mysterious quack in Paris, sending him through his
mother, two pieces of flannel that he had been wearing next his skin.
The doctor was to examine No. 1 flannel, and by it to determine the
seat and the cause of the affection, as well as the treatment to be
followed; then he was to examine No. 2, and to give certain
instructions as to its further use. Balzac asked his mother to touch
the flannels only with paper, so as not to interfere with their
effluvia. This belief of his in magnetism of an occult kind was an
inheritance. His mother, it has already been said, was a mystic. Her
books of this doctrine comprised more than a hundred volumes of
Saint-Martin, Swedenborg, Madame Guyon, Jacob Boehm, and others. All
these writers he was familiar with. Throughout his life, the influence
of their teaching and his mother's firm belief remained with him. On
his conduct and practice their effect was harmless; but in his literary
work they were a disturbance, and, wherever they intruded, detracted
from its quality.
Happily, he was beginning to be tempted more and more by the artistic
side of things in his daily experience. Of the lesser novels composed
before the end of 1832, several were directly inspired by incidents
brought to his knowledge. The _Red Inn_ was related to him by a former
army surgeon, a friend of the man that was unjustly condemned and
executed. An _Episode under the Terror_ was narra
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