he ancient town of Douai, and married to a
wife who adores him and who has borne him children. Claes' hobby is
scientific research; his aim, the discovery of the origin of things
which he believes can be given him by his crucible. In his family
mansion, of antique Flemish style, which is admirably described by the
novelist at great length, he pursues his tireless experiments; and,
with less justification than Bernard Palissy, encroaches by degrees on
the capital of his fortune, which melts away in his furnace and
alembics. During the first period of his essays, his wife tries to
have confidence in his final success, herself studies all sorts of
learned treatises, in order to be able to converse with him suitably
and to encourage him in his work; but, at last, unable to delude her
own mind any longer, she weeps with her children over the approaching
destruction of their home, and the grief wears her out and kills her.
Luckily the daughter, Marguerite, is made of sterner stuff than her
mother. And, with her brother, she toils to pay her father's debts and
to keep the home together. At the end, Claes himself dies, still
absorbed in his chimera, and his last words are an endeavour to
formulate the marvellous revelation which his disordered brain
persuades him he has now received.
"'Eureka!' he cried with a shrill voice, and fell back on his bed with
a thud. In passing away, he uttered a frightful groan, and his
convulsed eyes, until the doctors closed them, spoke his regret not to
have been able to bequeath to science the key of a mystery whose veil
had been tardily torn aside under the gaunt fingers of Death."
The _Search for the Absolute_ may be classed with _Eugenie Grandet_ in
the category of the novelist's best creations. Though Claes is, as
much as Grandet, and perhaps more, an abnormal being, his sacrifice of
every duty of life to the pursuit of the irrealizable is common enough
in humanity. By reason of the novelist's intense delineation, his
figure shows out in monstrous proportions; but these are skilfully
relieved by the happier fates of the children. The lengthy
descriptions of the opening chapter he defended against his sister
Laure's strictures, asserting that they had ramifications with the
subject which escaped her. His presentment, too, of Marguerite he said
was not forced, as she thought. Marguerite was a Flemish woman, and
Flemish women followed one idea out and, with phlegm, went
unswervingly towards
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