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he ancient town of Douai, and married to a wife who adores him and who has borne him children. Claes' hobby is scientific research; his aim, the discovery of the origin of things which he believes can be given him by his crucible. In his family mansion, of antique Flemish style, which is admirably described by the novelist at great length, he pursues his tireless experiments; and, with less justification than Bernard Palissy, encroaches by degrees on the capital of his fortune, which melts away in his furnace and alembics. During the first period of his essays, his wife tries to have confidence in his final success, herself studies all sorts of learned treatises, in order to be able to converse with him suitably and to encourage him in his work; but, at last, unable to delude her own mind any longer, she weeps with her children over the approaching destruction of their home, and the grief wears her out and kills her. Luckily the daughter, Marguerite, is made of sterner stuff than her mother. And, with her brother, she toils to pay her father's debts and to keep the home together. At the end, Claes himself dies, still absorbed in his chimera, and his last words are an endeavour to formulate the marvellous revelation which his disordered brain persuades him he has now received. "'Eureka!' he cried with a shrill voice, and fell back on his bed with a thud. In passing away, he uttered a frightful groan, and his convulsed eyes, until the doctors closed them, spoke his regret not to have been able to bequeath to science the key of a mystery whose veil had been tardily torn aside under the gaunt fingers of Death." The _Search for the Absolute_ may be classed with _Eugenie Grandet_ in the category of the novelist's best creations. Though Claes is, as much as Grandet, and perhaps more, an abnormal being, his sacrifice of every duty of life to the pursuit of the irrealizable is common enough in humanity. By reason of the novelist's intense delineation, his figure shows out in monstrous proportions; but these are skilfully relieved by the happier fates of the children. The lengthy descriptions of the opening chapter he defended against his sister Laure's strictures, asserting that they had ramifications with the subject which escaped her. His presentment, too, of Marguerite he said was not forced, as she thought. Marguerite was a Flemish woman, and Flemish women followed one idea out and, with phlegm, went unswervingly towards
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