zac's loss by his experiment was about
twenty thousand francs.

And this loss was not the only disagreeable part of the business.
There were the bills signed to Duckett. They being protested in 1837,
Duckett sued the novelist and obtained judgment against him. At this
moment, Balzac, tracked by his creditors, had taken temporary refuge
with some friends, the Count Visconti and his English wife, who lived
in the Champs Elysees. Here he remained incognito. One day a man,
wearing the uniform of a transport company, called at the mansion and
informed the servant that he had brought six thousand francs for
Monsieur de Balzac. Suiting the action to his words, he dumped down on
to the floor a heavy bag that chinked as it struck the hall tiles.
"Monsieur de Balzac does not live here," was the servant's reply.
"Then is the master of the house in?" asked the man. "No, but the
mistress is." "Then tell her I have six thousand francs for Monsieur
de Balzac." The servant vanished and soon the lady of the mansion
appeared and offered to sign the receipt herself. To this the man
demurred. He must either see Monsieur de Balzac or must take the money
away again. There was a hurried confabulation between hostess and
guest, the upshot of which was that Balzac, falling into the snare,
came to the man, thinking that some generous friend had sent him the
money; and he was immediately served with an arrest-warrant for debt.
"I am caught," he cried; "but I will pillory Duckett for this. He
shall go down to posterity with infamy attached to his name." To get
the novelist out of the mess, Madame Visconti paid the debt for which
the warrant had been made out; and thus spared him, for the nonce, a
sojourn in the debtors' prison at Clichy.

Balzac's lawsuit with the _Revue de Paris_, the details of which are
given in the Viscount de Lovenjoul's _Last Chapter of the History of
Balzac's Works_, was brought about by the novelist's quarrel, in 1835,
with Buloz, the editor, because the latter, while the _Lily in the
Valley_ was being printed, communicated proofs of it to the _Revue
Francaise_ of Saint Petersburg. Balzac at once severed his connection
with the _Revue de Paris_, and took away his novel, on the ground that
the editor was not justified in selling it abroad without his--the
author's--permission, and especially was not justified in
communicating premature proofs, which, owing to his practice of
modifying the text while correcting it, could i