FREE BOOKS

Author's List




PREV.   NEXT  
|<   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   >>  
e section of the glass which it has divided, the direction of this cut being from left to right. In the same way section "A" seen upside down gives the appearance of a _diamond_-cut, also from left to right, and multiplied 15-1/2 diameters, while "B" held in the same position gives the same cut multiplied 78 diameters. The nature of these things is discussed at p. 48. In their natural colour, and under strong light, they are very beautiful objects under the microscope. Even a 10-diameter "Steinheil lens," or still better its English equivalent, a Nelson lens, will show them fairly, and some such instrument, opening out a new world of beauty beyond the power of ordinary vision, ought, one would think, to be one of the possessions of every artist and lover of Nature. The illustrations that follow are from the work of the author and his pupils conjointly. Those in which no _design_ has been added are for clearness' sake described as "by the author"; but it is to be understood that in all instances the transcribing of the work _in the glass_ has been the work of pupils under his supervision. All design of diaper, canopy, lettering, and quarries is so, in all the examples selected. [Illustration: X.--Micro-photographs. Diamond and Wheel Cuts seen in Section and Plan.] PLATE XI.--_From Gloucester Cathedral--"St. Boniface" by the author and his pupils._ [Illustration: XI.--Part of Window. Gloucester Cathedral.] PLATE XII.--_From the same--"The Stork of Iona" and "The Infant Church," by the same._ Canopies from Oak and Ivy. [Illustration: XII.--Part of Window. Gloucester Cathedral.] PLATE XIII.--_Portion of a Window in progress (destined for Ashbourne Church), by the author._ This has been specially photographed _on the easel_, to show how near, by the use of false leadlines, &c., the work can be got, during its progress, to approach to its actual conditions when finished. [Illustration: XIII.--Portion of Unfinished Window, photographed from Work on the Easel.] PLATE XIV.--_Drawings from Nature, by the author's pupils._ Pieced together from various drawings by three different hands; made in preparation for design of Oak "canopy." See p. 324 and Plate XI. [Illustration: XIV.--Drawings from Nature, in Preparation for Design.] PLATE XV.--_Part of East Window of School Chapel, Tonbridge, by the author._ From the cartoon: the figure playing the dulcimer is underneath the manger, above which is seated the
PREV.   NEXT  
|<   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   >>  



Top keywords:
author
 

Window

 

Illustration

 

pupils

 

Gloucester

 
design
 

Cathedral

 
Nature
 

Portion

 
progress

photographed
 

Church

 

Drawings

 

multiplied

 
canopy
 
diameters
 

section

 

Boniface

 

selected

 
destined

examples
 

Ashbourne

 

Section

 

Diamond

 
photographs
 

Infant

 
Canopies
 

leadlines

 

Preparation

 

Design


preparation

 
School
 
underneath
 
manger
 
seated
 
dulcimer
 

playing

 
Chapel
 

Tonbridge

 
cartoon

figure

 

drawings

 
approach
 
actual
 

Pieced

 

conditions

 
finished
 

Unfinished

 

specially

 

strong