g, 129

Burnt umber, 203

Butterfly, 217

"Byzantium of the crafts," 243

Byzantine revival, 241

"Calm" of lead, 137 (and Glossary)

Cambridge, Burne-Jones windows, 237

Cambridge, centre for study of glass, 314

Cambridge, King's College, for blue and red, 230

Canopies, 245

Canopy, 177, 300

Canterbury, centre for study of glass, 314

Canterbury, for blue and red, 230

Cartoons, 83, 192

Cathedrals, 178, 180, 215, 230, 234, 238, 246, 282, 314

Cellini, 228

Cement and cementing, 147

Centres for study of glass, 314, 315

Chartres, centre for study of glass, 230, 314

Chartres, for blue and red, 230

Chief difficulty (in art) the chief opportunity, 301

Chopin, 223

Cirencester windows, 180

Cleanliness, 67, 164, 193

Clients, 279

Collotypes, notes on, 327-336

Colour, 198-231

Comfort in work, 67

Commission, one's first, 292

Conditions, importance of ascertaining at commencement, 283

Conduct, general, 264

Constantine and Byzantium, 240

Co-operation, 163, 265, 268, 274-6

Corn-colour, 217-218

Countercharging, 94

Covering up the pigment, 164

Craft, complete teaching of, 174, 197

Craftsman, right claims to the title, 269

Craftsmanship, revival of, 243
Middle Ages, 252

Cullet, value of, 159

Curriculum, 321-326

Cut-in glass, 49

Cut-line, 85, 89

Cutter and cartoonist, 44

Cutting, 37, 42, 47, 87, 162

Cutting, advanced, 83

Cutting-knife, 138

Cutting-wheel (_see_ Wheel-cutter)

Dahlia, colour of, 218

Dante or Blake, perhaps needed today, 253

Dante on Constantine, 240

Dappling, 163

Dentist, precision of a, 67

Design, 167, 175, 325

Diamond, 33, 88, 331

Difficulty conquered brings new insight and new power, 302

Difficulty, the chief opportunity in a work of art, 282

Directing assistants, clearness in, promptness in, 277

Discords harmonised by added notes, 212

Distance, effect of, 102, 192

Division of labour, 170, 269

Docketing of papers, system of, 284

Dodges, a few little, 182

Doubling glass, 132

Drapery, 230, 322

Drawing from Nature, 324

Drawing, Ruskin's advi