rmula for, 286

Roman decadence, 240

Room, to make the most of, 192

Rose-briar, colour of, in sunset, 220

Rossetti, 203

Ruby glass, 33

Ruby glass, value of, 160

"Rule of thumb," 113

Rules for work, 264, 286

Ruskin, 202, 255, 325

Sacredness of ancient buildings, 245

Schubert, 223

"Scratch-card," 144

Scrubs, 81

Sea-weeds, 217

Second painting, 118, 126, 127

Sections, how to join together in fixing, 150

Sections, large work made in, 150

"Seed," everything grown from, 291

Seed of ornament, 294

Selvage edge, to tear off, 193

Sens, centre for study of glass, 315

Setting mixture, 86

Sharpening diamonds, 33

Siennese painters, good work to copy in glass, 322

Single fire, 127

Sketching in glass, 175

Soldering, 144

Sparta, revival of simplicity in, 243

Special glasses, 227

Spotting, 163

Spring morning, ride on a, 214

Squaring outlines, 286

Stain, 129

"Stain it!", 225

Stain overfiring, result of, 129

Stained-glass, accessory to architecture, 168

Stained-glass, ancient, to be held sacred, 245

Stained-glass, definition and description of, 29

Stained-glass, diapering, spotting, and streaking, 179

Stained-glass, joys of, 303

Stained-glass, loving and careful treatment of, 177

Stained-glass, new developments of, 132

Stained-glass, prices of material, 159

Stained-glass, subservient to architecture, 155, 236

Stained-glass _versus_ painted glass, 84

Staining, 225

Stale colour, danger of, 165

Stale work, disadvantage of, 114

Standardising, 113

Stencil brush, 121

Stepping back to inspect work, 176

Stevenson, R. L., 156

Stick, 68

Stipple, 99, 101

Stippling brush, 100

Stonework, relation of glass to, 134

Stopping-knife, 142

Streaky glass, imitating drapery, 230

Strength in painting, limits of, 125

Stretching the lead, 137

Style, 237, 246

Subject, right limits to importance of, 248

Sufficient firing, test of, 117

Sugar or treacle as substitute for gum, 62

Surgeon, precision of a, 67

Symbolism, proportion in, 262

Tabernacle (_see_ Canopy)

Tamwort