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openings, and ornament them with something from Nature." So in the very midst of the pampered and enervated over-refinement of Roman decay, Constantine did something more than merely turn the conquering eagle back, against the course of the heavens, for which Dante seems to blame him,[2] when he established his capital at Byzantium; for there at once upon the new soil, and in less than a single century, sprang to life again all the natural modes of building and decoration that, despised as barbaric, had been ignored and forgotten amid the Roman luxury and sham. It is a curious feature of these latest days of ours that this searching after sincerity should seem to be leading us towards a similar revival; taking even very much the same forms. We went back, at the time of the Gothic revival, to the forgotten Gothic art of stained-glass; now tired, as it would seem, of the insincerity and mere spirit of imitation with which it and similar arts have been practised, a number of us appear to be ready to throw it aside, along with scholarly mouldings and traceries, and build our arts afresh out of the ground, as was done by the Byzantines, with plain brickwork, mosaic, and matched slabs of marble. Definite examples in recent architecture will occur to the reader. But I am thinking less of these--which for the most part are deliberate and scholastic revivals of a particular style, founded on the study of previous examples and executed on rigid academic methods--than of what appears to be a widespread awakening to principles of simplicity, sincerity, and common sense in the arts of building generally. Signs are not wanting of a revived interest in building--a revived interest in materials for their own sake, and a revived practice of personally working in them and experimenting with them. One calls to mind examples of these things, growing in number daily--plain and strong furniture made with the designer's own hands and without machinery, and enjoyed in the making--made for actual places and personal needs and tastes; houses built in the same spirit by architects who condescend to be masons also; an effort here and an effort there to revive the common ways of building that used to prevail--and not so long ago--for the ordinary housing and uses of country-folk and country-life, and which gave us cottages, barns, and sheds throughout the length and breadth of the land; simple things for simple needs, built by simple men, withou
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