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cannot allude to these primitive traditions, the circulation of which is perfectly mysterious. We speak of such popular legends as admit of their origin being traced. Among these the Faustus-tradition may be called comparatively new. To us Americans, indeed, whose history commences only with the modern history of Europe, a period of three hundred years seems quite a respectable space of time. But to the Germans and the Scandinavians, from whose popular lore the names of Horny Siegfried and Dietric of Berne, (Theodoric the Great,) and of Roland, are not yet completely erased, a story of the sixteenth century must appear comparatively modern. The popularity of the legend of Faustus, although of German origin, was, almost from its first rise, not confined to German lands. The French, Dutch, and English versions of the poor Doctor's adventurous life are but very little younger than his German biographies; and it was about the same time that he was made the subject of a tragedy by Marlowe, one of the most gifted of Shakspeare's dramatic predecessors. We are not afraid of erring, when we ascribe the uncommon popularity and rapid circulation of this legend principally to its deep and intrinsic _moral_ interest. Faustus's time of action was exactly the period of the great religious reformation which shook all Europe. During the sixteenth century, even the untaught and illiterate classes learned to watch more closely over the salvation of their souls than when they felt themselves safe beneath the guardianship of the Holy Mother Church. And to those who remained under the guidance of the latter, the dangers of learning and independent thinking, and of meddling with forbidden subjects, were pointed out by the monks with two-fold zeal. It cannot, therefore, surprise us, that the life and death of a famous contemporary, who for worldly goods and worldly wisdom placed his soul at stake, excited a deep and general interest. In one feature, indeed, his history bears decidedly the stamp of the great moral revolution of the time: we mean its awful end. There are two legends of the Middle Ages--and perhaps many more--in which the fundamental ideas are the same. The two Saints, Cyprianus, (the "Magico Prodigioso" of Calderon,) and Bishop Theophilus, (the hero of Conrad of Wuerzburg,) were both tempted by the Devil with worldly goods and worldly prosperity, and allured into the pool of sin perhaps deeper than Faustus; but repentance and p
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