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[3] [1] _Hyp._ I. 129-131. [2] _Hyp._ I. 134. [3] Diog. IX. 11, 86. _The Eighth Trope_. The Trope based upon relation contains, as Sextus rightly remarks, the substance of the other nine,[1] for the general statement of the relativity of knowledge includes the other statements made. The prominence which Sextus gave this Trope in his introduction to the ten Tropes leads one to expect here new illustrations and added[2] arguments for [Greek: epoche]. We find, however, neither of these, but simply a statement that all things are in relation in one of two ways, either directly, or as being a part of a difference. These two kinds of relation are given by Protagoras, and might have been used to good purpose in the introduction to the Tropes, or at the end, to prove that all the others were really subordinate to the eighth. The reasoning is, however simply applied to the relation of objects to each other, and nothing is added that is not found elsewhere where as an argument for [Greek: epoche].[3] This Trope is the tenth by Diogenes, and he strengthens his reasoning in regard to it, by a statement that Sextus does not directly make, _i.e._, that everything is in relation to the understanding.[4] [1] _Hyp._ I. 39. [2] _Hyp._ I. 135-140. [3] _Hyp._ I. 135-140. [4] Diog. IX. 11, 88. _The Ninth Trope_. This is based upon the frequency and rarity of events, and refers to some of the phenomena of nature, such as the rising of the sun, and the sea, as no longer a source of astonishment, while a comet or an earthquake are wonders to those not accustomed to them.[1] The value of objects also depends on their rarity, as for example the value of gold.[2] Furthermore, things may be valuable at one time, and at another not so, according to the frequency and rarity of the occurrence.[3] Therefore this Trope also leads to [Greek: epoche]. Diogenes gives only two illustrations to this Trope, that of the sun and the earthquake.[4] [1] _Hyp._ I. 141-142. [2] _Hyp._ I. 143. [3] _Hyp._ I. 144. [4] Diog. IX. 11, 87. _The Tenth Trope_. We have already remarked on the difference in the character of the tenth Trope, dealing as it does, not with the ideas of objects, like the other nine Tropes, but with philosophical and religious opinions, and questions of right and wrong. It was the well-known aim of the Sceptics to submit to the laws and customs of the land where they
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