FREE BOOKS

Author's List




PREV.   NEXT  
|<   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145  
146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   >>   >|  
itional form, so that the harmony, which is its spirit, be observed.... The distinction between poets and prose writers is a vulgar error." Shelley goes on to instance Plato and Bacon as true poets, though they wrote in prose. "The popular division into prose and verse," he repeats, "is inadmissible in accurate philosophy." Its philosophic function. Then again, upon what Wordsworth calls "the more philosophical distinction" between Poetry and Matter of Fact--quoting, of course, the famous +"Philosophoteron kai spoudaioteron"+ passage in the _Poetics_--it is wonderful with what hearty consent our poets pounce upon this passage, and paraphrase it, and expand it, as the great justification of their art: which indeed it is. Sidney gives the passage at length. Wordsworth writes, "Aristotle, I have been told, hath said that Poetry is the most philosophic of all writings: it is so." Coleridge quotes Sir John Davies, who wrote of Poesy (surely with an eye on the _Poetics_): "From their gross matter she abstracts their forms, And draws a kind of quintessence from things; Which to her proper nature she transforms To bear them light on her celestial wings. "Thus does she, when from individual states She doth abstract the universal kinds; Which then reclothed in divers names and fates Steal access through our senses to our minds." And Shelley has a remarkable paraphrase, ending, "The story of particular facts is as a mirror which obscures and distorts that which should be beautiful: poetry is a mirror which makes beautiful that which is distorted." In fine, this book goes far to prove of poetry, as it has been proved over and over again of other arts, that it is the men big enough to break the rules who accept and observe them most cheerfully. THE ATTITUDE OF THE PUBLIC TOWARDS LETTERS Sept. 29, 1894. The "Great Heart" of the Public. I observe that our hoary friend, the Great Heart of the Public, has been taking his annual outing in September. Thanks to the German Emperor and the new head of the House of Orleans, he has had the opportunity of a stroll through the public press arm in arm with his old crony and adversary, the Divine Right of Kings. And the two have gone once more a-roaming by the light of the moon, to drop a tear, perchance, on the graves of the Thin End of the Wedge and the Stake in the Country. You know the unhappy story?--how the Wedge drov
PREV.   NEXT  
|<   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145  
146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   >>   >|  



Top keywords:

passage

 

Wordsworth

 
Poetry
 

paraphrase

 

Public

 

observe

 

Poetics

 

philosophic

 

Shelley

 
mirror

distinction
 

beautiful

 

poetry

 
distorted
 
accept
 

remarkable

 

senses

 
ATTITUDE
 

PUBLIC

 
access

cheerfully

 
ending
 
obscures
 

distorts

 

proved

 

German

 
roaming
 

adversary

 

Divine

 
perchance

unhappy
 

Country

 

graves

 

taking

 

annual

 

outing

 

September

 

friend

 

LETTERS

 
Thanks

opportunity
 
stroll
 

public

 

Orleans

 

Emperor

 
TOWARDS
 

things

 

quoting

 

famous

 

Philosophoteron