is a curious example," he said once of an actress of great
conscientiousness, "of how far seriousness, sincerity, and weight will
supply the place of almost all the other qualities of an actress." When
a famous classic actress reappeared as Rosalind, he described her
performance as "all minute-guns and _minauderies_, ... a foot between
every word, and the intensity of the emphasis entirely destroying all
the spontaneity and flow of spirits which alone excuse and explain; ...
as unlike Shakespeare's Rosalind, I will stake my head, as human
personation could be!"
There was some talk at that time (the early 'seventies) of my playing
Rosalind at Manchester for Mr. Charles Calvert, and Tom Taylor urged me
to do it. "Then," he said charmingly, "I can sing my stage Nunc
Dimittis." The whole plan fell through, including a project for me to
star as Juliet to the Romeo of a lady!
I have already said that the Taylors' home was one of the most softening
and culturing influences of my early life. Would that I could give an
impression of the dear host at the head of his dinner-table, dressed in
black silk knee-breeches and velvet cutaway coat--a survival of a
politer time, not an affectation of it--beaming on his guests with his
_very_ brown eyes!
Lavender is still associated in my mind with everything that is lovely
and refined. My mother nearly always wore the color, and the Taylors
lived at Lavender Sweep! This may not be an excellent reason for my
feelings on the subject, but it is reason good enough.
"Nature repairs her ravages," it is said, but not all. New things come
into one's life--new loves, new joys, new interests, new friends--but
they cannot replace the old. When Tom Taylor died, I lost a friend the
like of whom I never had again.
VI
A YEAR WITH THE BANCROFTS
My engagement with the Bancrofts lasted a little over a year. After
Portia there was nothing momentous about it. I found Clara Douglas
difficult, but I enjoyed playing her. I found Mabel Vane easy, and I
enjoyed playing her, too, although there was less to be proud of in my
success here. Almost anyone could have "walked in" to victory on such
very simple womanly emotion as the part demanded. At this time friends
who had fallen in love with Portia used to gather at the Prince of
Wales's and applaud me in a manner more vigorous than judicious. It was
their fault that it got about that I had hired a claque to clap me! Now,
it seems funny, but a
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