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the knowledge of mere matter. I have selected the Ultramontane party in the Church of Rome as the most prominent example of a party eminent for many intellectual virtues, and yet opposed to the intellectual life from its own want of disinterestedness. But the same defect exists, to some degree, in every partisan--exists in you and me so far as we are partisans. Let us suppose, for example, that we desired to find out the truth about a question much agitated in a neighboring country at the present time--the question whether it would be better for that country to attempt the restoration of its ancient Monarchy or to try to consolidate a Republican form of government. How difficult it is to think out such a problem disinterestedly, and yet how necessary to the justice of our conclusions that we should think disinterestedly if we pretend to think at all! It is true that we have one circumstance in our favor--we are not French subjects, and this is much. Still we are not disinterested, since we know that the settlement of a great political problem such as this, even though on foreign soil, cannot fail to have a powerful influence on opinion in our own country, and consequently upon the institutions of our native land. We are spectators only, it is true; but we are far from being disinterested spectators. And if you desire to measure the exact degree to which we are interested in the result, you need only look at the newspapers. The English newspapers always treat French affairs from the standpoint of their own party. The Conservative journalist in England is a Monarchist in France, and has no hopes for the Republic; the Liberal journalist in England believes that the French dynasties are used up, and sees no chance of tranquillity outside of republican institutions. In both cases there is an impediment to the intellectual appreciation of the problem. This difficulty is so strongly felt by those who write and read the sort of literature which aspires to permanence, and which, therefore, ought to have a substantial intellectual basis, that either our distinguished poets choose their subjects in actions long past and half-forgotten, or else, when tempted by present excitement, they produce work which is artistically far inferior to their best. Our own generation has witnessed three remarkable events which are poetical in the highest degree. The conquest of the Two Sicilies by Garibaldi is a most perfect subject for a heroic
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