FREE BOOKS

Author's List




PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  
on enlists our sympathies even with his Satan, and it is perhaps because we cannot sympathize in any way with Dante's Lucifer that many feel repelled by the terrible creation. But even in the oldest of the Faust-legends, and far more of course in Goethe's _Faust_, we are attracted by a 'pathetic' element, viz., the unsatisfied and insatiable longing of a human soul for Knowledge--for Truth--and its still intenser yearnings after ideal Beauty. Thus, even the Faust of the older sixteenth-century legend, although he ultimately falls a victim to the devil, has noble and high impulses by which we feel strongly attracted. He is lost, not through these impulses, these yearnings for knowledge, but through his magic, and his sensual life. In spite of more than one fit of remorse he is unable to free himself from the lusts of the flesh; he is obliged to sign a second bond with Mephisto and is dragged down ever lower into the abyss, until the jaws of hell open and swallow him up--while the Faust of Goethe's poem gains strength through many an error and many a grievous fall, gradually shakes off the diabolic influence and rising on the stepping-stones of his dead self is finally rescued by God's mercy and reaches the higher spheres of another life. How infinitely grander--how illimitable in its vistas--the subject becomes when thus treated by a great poet we all must feel. And even if we cannot with a whole heart accept as a true Gospel what (in spite of Goethe's admission that God's mercy was a necessary factor) seems to be a gospel of _self-salvation_, we should not forget that this picture of a man pressing on in his own strength amidst the lusts of the flesh and the errors of the mind is perhaps the noblest and grandest kind of picture that dramatic art can offer us--that of the human will in its struggle against destiny. In any case, I think, we cannot refuse our sympathy for these yearnings and searchings for truth amidst error. Do you remember what Lessing said about such longings? 'If God'--he said--'should hold Truth itself in His right hand, and in His left the longing for Truth, and should say to me _Choose!_ I would humbly fall down before His left hand and say: _Father, pure Truth is for Thee alone. Give me the longing for Truth, though it be attended with never-ending error._' There seems no doubt that a man named Johann Faust, renowned for his learning and credited with magical powers, actually did exist--proba
PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  



Top keywords:

Goethe

 

longing

 
yearnings
 

impulses

 

strength

 

amidst

 

picture

 
attracted
 

gospel

 

salvation


credited

 

powers

 

enlists

 
magical
 
factor
 

forget

 

errors

 
noblest
 

Johann

 

pressing


learning
 

renowned

 
admission
 

Gospel

 

treated

 

subject

 

accept

 

grandest

 

dramatic

 
longings

attended

 

remember

 

Lessing

 
Father
 

Choose

 
humbly
 
struggle
 

destiny

 

vistas

 
refuse

sympathy

 
searchings
 
ending
 

rescued

 

ultimately

 

victim

 

legend

 
sixteenth
 
century
 

knowledge