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I was accused of putting the crowning absurdity on the whole thing, of making a cheaply canonised martyr of Mr. Tate, and some ungenerously hinted I was following up my joke of my "offer to the nation" by another. In fact, for the first time in the history of England, a public man was not to have a public dinner when there happened to be a matter of public importance to celebrate and ventilate! On the other hand, I received a letter from Mr. Tate, from Bournemouth, the day my letter in the _Times_ appeared, in which he thanked me for my warm hearted letter in the _Times_, but begged of me not to press my proposal in his honour. "As you say, I am a modest man, and it would be more than I could stand. What I _should like_ would be to see the artists calling a public meeting and protesting against the way in which British art has been shelved." In the same letter he assured me "that too much could not be said in condemnation of Sir Frederick Leighton's and the Academicians' supineness." In writing to thank me for dropping the proposed banquet, he again referred to his great surprise and disappointment that neither Sir Frederick Leighton nor any one of the Academicians had given his scheme any support, and complained that the President of the Royal Academy had been much more loyal to his friend Lord Carlisle "than to the cause of British art." THE OLD BAILEY. In the winter of 1885 the following paragraph ran through the Press:--"A statement has been circulated from a quarter that may be taken as well informed, that the City Lands Committee of the Corporation of London have perfected plans for the improvement of the Central Criminal Court. It is not improbable that the process of reform has been accelerated by a recent letter to the public Press of Mr. Harry Furniss, the well-known comic artist, who, having been summoned as a juryman, suffered many woes while waiting to be called into the box." As the _Saturday Review_ remarked, the bitter cry of the outcast juror which I uttered is familiar enough to the public ear, but I had given it a more penetrating note than usual; but it did not hesitate to say that it would not produce any more effect upon those whom I sought to influence "than the less articulate, or even than the absolutely inarticulate, protests of many generations of his fellow-sufferers." And the _Saturday Review_ was right, for fifteen winters have passed since I wrote my protest to the _Daily News_.
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