FREE BOOKS

Author's List




PREV.   NEXT  
|<   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33  
34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   >>   >|  
ew York _Tribune_ contains 12,200 pieces, counting head lines, leads, and so on; while, if set solidly in its medium-sized type, there are 18,800 pieces in one column, or about 113,000 in a page, or about 1,354,000 in one of its ordinary 12-page issues. A 32-page Sunday issue of the New York _Herald_ contains nearly, if not quite, 2,500,000 distinct types and other pieces of metal, each of which must be separately handled between thumb and finger twice--once put into the case and once taken out of it--each issue of the paper. No one inexperienced in this delicate work has the slightest conception of the intensity of attention, fixity of eye, deftness of touch, readiness of intelligence, exhaustion of vitality, and destruction of brain and nerve which enters into the daily newspaper from type-setters alone. Each type is marked upon one side by slight nicks, by sight and touch of which the compositor is guided in rapidly placing them right side up in the line. They are taken, one by one, between thumb and forefinger, while the mind not only spells out each word, but is always carrying phrases and whole sentences ahead of the fingers, and each letter, syllable and word is set in its order in lines in the composing stick, each line being spaced out in the stick so as to exactly fit the column width, this process being repeated until the stick is full. Then the stickful is emptied upon a galley. Then, when the page or the paper is "up," as the printers phrase it, the galleys are collected, and the foreman makes up the pages, article by article, as they come to us in the printed paper--the preliminary processes of printing proofs from the galleys, reading them by the proof readers, who mark the errors, and making the corrections by the compositors (each one correcting his own work), having been quietly and swiftly going on all the while. The page is made up on a portable slab of iron, upon which it is sent to the stereotyping room. There wet stereotyping paper, several sheets in thickness, is laid over the page, and this almost pulpy paper is rapidly and dexterously beaten evenly all over with stiff hair brushes until the soft paper is pressed down into all the interstices between the type; then this is covered with blankets and the whole is placed upon a steam chest, where it is subjected to heat and pressure until the wet paper becomes perfectly dry. Then, this dried and hardened paper, called a matrix, is placed in a cir
PREV.   NEXT  
|<   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33  
34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   >>   >|  



Top keywords:

pieces

 

rapidly

 

galleys

 

stereotyping

 

article

 
column
 

perfectly

 

printed

 

preliminary

 

printing


subjected
 

readers

 

pressure

 

proofs

 

reading

 

processes

 

called

 
stickful
 

emptied

 

galley


matrix

 

process

 

repeated

 

printers

 

foreman

 

collected

 
hardened
 
phrase
 

making

 
interstices

sheets

 

blankets

 

covered

 
pressed
 

dexterously

 

beaten

 

evenly

 

thickness

 
brushes
 

correcting


compositors

 

corrections

 

errors

 

quietly

 

portable

 

swiftly

 
distinct
 
separately
 

handled

 

inexperienced