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ssamese _riha_ (Boehmeria nivea). These bags are of two sizes, the larger one for keeping cowries id, the cowrie in former days having been used instead of current coin in these hills, the smaller far the ever necessary betel-nut. _Pan_ leaves are kept in a bamboo tube, and tobacco leaves in a smaller one. Lime, for eating with betel-nut, is kept in a metal box, sometimes of silver, which is made in two separate parts held together by a chain. The box is called _ka shanam_, and is used all over the hills. This box is also used for divination purposes, one end of it being held in the hand, and the other, by means of the chain, being allowed to swing like a pendulum. An explanation of this method of divination will be found in the paragraph dealing with divination. There is also a pair of squeezers used by the old and toothless for breaking up betel-nut. In the houses of the well-to-do is to be seen the ordinary hubble-bubble of India. Outside the houses of cultivators are wooden troughs hollowed out of the trunks of trees, which are used either as drinking troughs for cattle or for feeding pigs. A special set of utensils is used for manufacturing liquor. The Synteng and War articles of furniture and utensils are the same as those of the Khasis, with different names, a remark which applies also to those of the Bhois and Lynngams. Both the latter, however, use leaves as plates, the Bhoi using the wild plantain and the Lynngam a large leaf called _ka 'la mariong_. The leaves are thrown away after eating, fresh leaves being gathered for each meal. The Lynngams use a quilt (_ka syllar_) made out of the bark of a tree of the same name as a bed covering. This tree is perhaps the same as the Garo _simpak_. In the Bhoi and Lynngam houses the swinging shelf for keeping firewood is not to be seen, nor is the latter to be found amongst the submontane Bodo tribes in Assam. Musical Instruments. The Khasis have not many musical instruments, and those that they possess, with one or two exceptions, are of very much the same description as those of the Assamese. There are several kinds of drums, viz. _ka nakra_, which is a large kettledrum made of wood having the head covered with deerskin; _ka ksing_, which is a cylindrically-shaped drum rather smaller than the Assamese _dhol_ (_ka ksing kynthei_ takes its name from the fact that this drum is beaten when women, _kynthei_, dance), _ka padiah_, a small drum with a handle made of woo
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