ject, or rather it is a subject which the wiser mind will hardly care
to debate much. The opinion of the present writer--the result, at least,
of many years' reading and thought--is that it is a result of the
marriage of the older East and the newer (non-classical) West through
the agency of the spread of Christianity and the growth and diffusion of
the "Saint's Life." The beginnings of Hagiology itself are very
uncertain: but what is certain is that they are very early: and that as
the amalgamation or leavening of the Roman world with barbarian material
proceeded, the spread of Christianity proceeded likewise. The _Vision of
St. Paul_--one of the earliest examples and the starter it would seem,
if not of the whole class of sacred Romances, at any rate of the large
subsection devoted to Things after Death--has been put as early as
"before 400 A.D." It would probably be difficult to date such legends as
those of St. Margaret and St. Catherine _too_ early, having regard to
their intrinsic indications: and the vast cycle of Our Lady, though
probably later, must have begun long before the modern languages were
ready for it, while that of the Cross should be earlier still. And let
it be remembered that these Saints' Lives, which are still infinitely
good reading, are not in the least confined to homiletic necessities.
The jejuneness and woodenness from which the modern religious story too
often suffers are in no way chargeable upon all, or even many, of them.
They have the widest range of incident--natural as well as supernatural:
their touches of nature are indeed extended far beyond mere incident.
Purely comic episodes are by no means wanting: and these, like the
parallel passages in the dramatising of these very legends, were sure to
lead to isolation of them, and to a secular continuation.

But, once more, we must contract the sweep, and quicken the pace to deal
not with possible origins, but with actual results--not with Ancient or
Transition literature, but with the literature of English in the
department first of fiction generally and then, with a third and last
narrowing, to the main subject of English fiction in prose.

The very small surviving amount, and the almost completely second-hand
character, of Anglo-Saxon literature have combined to frustrate what
might have been expected from another characteristic of it--the unusual
equality of its verse and prose departments. We have only one--not
quite entire but subst