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he base. _Taaroa_ is the invincible, who created the universe, the sacred universe, the shell for _Taaroa_, the life, life of the universe."] [Footnote 7: Moerenhout, I, 423: "_Taaroa_ slept with the woman called _Hina_ of the sea. Black clouds, white clouds, rain are born. _Taaroa_ slept with the woman of the uplands; the first-germ is born. Afterwards is born all that grows upon the earth. Afterwards is born the mist of the mountain. Afterwards is born the one called strong. Afterwards Is born the woman, the beautiful adorned one," etc.] [Footnote 8: Grey, pp. 38-45; Kraemer, Samoa Inseln, pp. 395-400; Fison, pp. 139-146; Mariner, I, 228; White, II, 75; Gill, Myths and Songs, p. 48.] [Footnote 9: In Fornander's collection of origin chants the Hawaiian group is described as the offspring of the ancestors Wakea and Papa, or Hina.] 3. THE DEMIGOD AS HERO As natural forms multiplied, so multiplied the gods who wedded and gave them birth. Thus the half-gods were born, the _kupua_ or demigods as distinguished from _akua_ or spirits who are pure divinities.[1] The nature of the Polynesian _kupua_ is well described in the romance of _Laieikawai_, in Chapter XXIX, when the sisters of Aiwohikupua try to relieve their mistress's fright about marrying a divine one from the heavens. "He is no god--_Aole ia he Akua_--" they say, "he is a man like us, yet in his nature and appearance godlike. And he was the first-born of us; he was greatly beloved by our parents; to him was given superhuman power--_ka mana_--which we have not.... Only his taboo rank remains, Therefore fear not; when he comes you will see that he is only a man like us." It is such a character, born of godlike ancestors and inheriting through the favor of this god, or some member of his family group, godlike power or _mana_, generally in some particular form, who appears as the typical hero of early Hawaiian romance. His rank as a god is gained by competitive tests with a rival _kupua_/ or with the ancestor from whom he demands recognition and endowment. He has the power of transformation into the shape of some specific animal, object, or physical phenomenon which serves as the "sign" or "body" in which the god presents himself to man, and hence he controls all objects of this class. Not only the heavenly bodies, clouds, storms, and the appearances in the heavens, but perfumes and notes of birds serve to announce his divinity, and special kinds of b
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