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erformed, among other pieces, Farquhar's _Beaux' Stratagem_. In 1753 a theater was built in New York, and one in 1759 in Philadelphia. The Quakers of Philadelphia and the Puritans of Boston were strenuously opposed to the acting of plays, and in the latter city the players were several times arrested during the performances, under a Massachusetts law forbidding dramatic performances. At Newport, R. I., on the other hand, which was a health resort for planters from the Southern States and the West Indies. {393} and the largest slave-market in the North, the actors were hospitably received. The first play known to have been written by an American was the _Prince of Parthia_, 1765, a closet drama, by Thomas Godfrey, of Philadelphia. The first play by an American writer, acted by professionals in a public theater, was Royal Tyler's _Contrast_, performed in New York in 1786. The former of these was very high tragedy, and the latter very low comedy; and neither of them is otherwise remarkable than as being the first of a long line of indifferent dramas. There is, in fact, no American dramatic literature worth speaking of; not a single American play of even the second rank, unless we except a few graceful parlor comedies, like Mr. Howell's _Elevator_ and _Sleeping-Car_. Royal Tyler, the author of the _Contrast_, cut quite a figure in his day as a wit and journalist, and eventually became Chief Justice of Vermont. His comedy, the _Georgia Spec_, 1797, had a great run in Boston, and his _Algerine Captive_, published in the same year, was one of the earliest American novels. It was a rambling tale of adventure, constructed somewhat upon the plan of Smollett's novels and dealing with the piracies which led to the war between the United States and Algiers in 1815. Charles Brockden Brown, the first American novelist of any note, was also the first professional man of letters in this country who supported himself entirely by his pen. He was born in {394} Philadelphia in 1771, lived a part of his life in New York and part in his native city, where he started, in 1803, the _Literary Magazine and American Register_. During the years 1798-1801 he published in rapid succession six romances, _Wieland_, _Ormond_, _Arthur Mervyn_, _Edgar Huntley_, _Clara Howard_, and _Jane Talbot_. Brown was an invalid and something of a recluse, with a relish for the ghastly in incident and the morbid in character. He was in some points a pro
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