pression to a
system of thought. He belongs to the class of minds of which Sir
Thomas Browne is the best English example. He set a high value upon
Browne, to whose style his own, though far more sententious, bears a
resemblance. Browne's saying, for example, "All things are artificial,
for nature is the art of God," sounds like Emerson, whose workmanship,
for the rest, in his prose essays was exceedingly fine and close. He
was not afraid to be homely and racy in expressing thought of the
highest spirituality. "Hitch your wagon to a star" is a good instance
of his favorite manner.

Emerson's verse often seems careless in technique. Most of his pieces
are scrappy and have the air of runic rimes, or little oracular
"voicings"--as they say in Concord--in rhythmic shape, of single
thoughts on "Worship," "Character," "Heroism," "Art," "Politics,"
"Culture," etc. The content is the important thing, and the form is
too frequently awkward or bald. Sometimes, indeed, in the {457}
clear-obscure of Emerson's poetry the deep wisdom of the thought finds
its most natural expression in the imaginative simplicity of the
language. But though this artlessness in him became too frequently in
his imitators, like Thoreau and Ellery Channing, an obtruded
simplicity, among his own poems are many that leave nothing to be
desired in point of wording and of verse. His _Hymn Sung at the
Completion of the Concord Monument_, in 1836, is the perfect model of
an occasional poem. Its lines were on every one's lips at the time of
the centennial celebrations in 1876, and "the shot heard round the
world" has hardly echoed farther than the song which chronicled it.
Equally current is the stanza from _Voluntaries_:

"So nigh is grandeur to our dust,
So near is God to man,
When Duty whispers low, 'Thou must,'
The youth replies, 'I can.'"

So, too, the famous lines from the _Problem_:

"The hand that rounded Peter's dome,
And groined the aisles of Christian Rome,
Wrought in a sad sincerity.
Himself from God he could not free;
He builded better than he knew;
The conscious stone to beauty grew."

The most noteworthy of Emerson's pupils was Henry David Thoreau, "the
poet-naturalist." After his graduation from Harvard College, in 1837,
Thoreau engaged in school teaching and in {458} the manufacture of
lead-pencils, but soon gave up all regular business and devoted himself
to walking, reading, and the study of natu