FREE BOOKS

Author's List




PREV.   NEXT  
|<   715   716   717   718   719   720   721   722   723   724   725   726   727   728   729   730   731   732   733   734   735   736   737   738   739  
740   741   742   743   744   745   746   747   748   749   750   751   752   753   754   755   756   757   758   759   760   761   762   763   764   >>   >|  
keng lu_ mentions also the athletes with clubs standing at the door, at the time of the khan's presence in the hall. He adds, that next to the Khan, two other life-guards used to stand, who held in their hands 'natural' axes of jade (axes found fortuitously in the ground, probably primitive weapons)." (_Palladius_, p. 43.)--H. C.] NOTE 5.--Some of these etiquettes were probably rather Chinese than Mongol, for the regulations of the court of Kublai apparently combined the two. In the visit of Shah Rukh's ambassadors to the court of the Emperor Ch'eng Tsu of the Ming Dynasty in 1421, we are told that by the side of the throne, at an imperial banquet, "there stood two eunuchs, each having a band of thick paper over his mouth, and extending to the tips of his ears.... Every time that a dish, or a cup of _darassun_ (rice-wine) was brought to the emperor, all the music sounded." (_N. et Ext._ XIV. 408, 409.) In one of the Persepolitan sculptures, there stands behind the King an eunuch bearing a fan, and with his mouth covered; at least so says Heeren. (_Asia_, I. 178.) NOTE 6.--"_Jongleours et entregetours de maintes plusieurs manieres de granz experimenz_" (P.); "_de Giuculer et de Tregiteor_" (G. T.). Ital. _Tragettatore_, a juggler; Romance, _Trasjitar, Tragitar_, to juggle. Thus Chaucer:-- "There saw I playing Jogelours, Magiciens, and _Tragetours_, And Phetonisses, Charmeresses, Old Witches, Sorceresses," etc. --_House of Fame_, III. 169. And again:-- "For oft at festes have I wel herd say, That _Tregetoures_, within an halle large, Have made come in a water and a barge, And in the halle rowen up and doun. Somtime hath semed come a grim leoun; * * * * * Somtime a Castel al of lime and ston, And whan hem liketh, voideth it anon." --_The Franklin's Tale_, II. 454. Performances of this kind at Chinese festivities have already been spoken of in note 9 to ch. lxi. of Book I. Shah Rukh's people, Odoric, Ysbrandt Ides, etc., describe them also. The practice of introducing such _artistes_ into the dining-hall after dinner seems in that age to have been usual also in Europe. See, for example, _Wright's Domestic Manners_, pp. 165-166, and the Court of the Emperor Frederic II., in _Kington's Life_ of that prince, I. 470. (See also _N. et E._ XIV. 410; _Cathay_, 143; _Ysb. Ides_, p. 95.) CHAPTER XIV. CONCERNING THE GREAT FEAST HELD BY THE
PREV.   NEXT  
|<   715   716   717   718   719   720   721   722   723   724   725   726   727   728   729   730   731   732   733   734   735   736   737   738   739  
740   741   742   743   744   745   746   747   748   749   750   751   752   753   754   755   756   757   758   759   760   761   762   763   764   >>   >|  



Top keywords:

Chinese

 

Somtime

 

Emperor

 

playing

 
Castel
 

juggle

 

Tragitar

 
Trasjitar
 

Chaucer

 
Magiciens

Tregetoures

 
festes
 

Phetonisses

 

Tragetours

 
Charmeresses
 

Sorceresses

 

Witches

 

Jogelours

 

Kington

 

Frederic


Manners

 

Domestic

 

Europe

 
Wright
 

prince

 

CONCERNING

 
CHAPTER
 

Cathay

 

dinner

 

festivities


Romance

 

spoken

 

Performances

 

voideth

 
liketh
 

Franklin

 
introducing
 

practice

 

artistes

 
dining

describe

 

people

 
Odoric
 

Ysbrandt

 
Mongol
 

regulations

 
apparently
 
Kublai
 

etiquettes

 
combined