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ly, and having heard of the misfortune that had befallen her, they ordered a ship with sails to be equipped to go in search of her. Further reference to the Sirens will be made, on treating of the adventures of Ulysses. FABLE VI. [V.564-641] The Muse continues her song, in which Ceres, being satisfied with the decision of Jupiter relative to her daughter, returns to Arethusa, to learn the history of her adventures. The Nymph entertains the Goddess with the Story of the passion of Alpheus, and his pursuit of her; to avoid which, she implores the assistance of Diana, who changes her into a fountain. "But Jupiter being the mediator between his brother and his disconsolate sister, divides the rolling year equally {between them}. For {now}, the Goddess, a common Divinity of two kingdoms, is so many months with her mother, and just as many with her husband. Immediately the appearance of both her mind and her countenance is changed; for the brow of the Goddess, which, of late, might appear sad, even to Pluto, himself, is full of gladness; as the Sun, which has lately been covered with watery clouds, when he comes forth from the clouds, {now} dispersed. The genial Ceres, {now} at ease on the recovery of her daughter, {thus} asks, 'What was the cause of thy wanderings? Why art thou, Arethusa, a sacred spring?' The waters are silent, {and}, the Goddess raises her head from the deep fountain; and, having dried her green tresses with her hand, she relates the old amours of the stream of Elis.[71] "'I was,' says she, 'one of the Nymphs which exist in Achaia, nor did any one more eagerly skim along the glades than myself, nor with more industry set the nets. But though the reputation for beauty was never sought by me, although, {too}, I was of robust make, {still} I had the name of being beautiful. But my appearance, when so much commended, did not please me; and I, like a country lass, blushed at those endowments of person in which other females are wont to take a pride, and I deemed it a crime to please. I remember, I was returning weary from the Stymphalian[72] wood; the weather was hot, and my toil had redoubled the intense heat. I found a stream gliding on without any eddies, without any noise, {and} clear to the bottom; through which every pebble, at so great a depth, might be counted, {and} which you could hardly suppose to be in motion. The hoary willows[73] and poplars, nourished by the water, fur
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