can be observed in the plate. I have one of these bags the
lines in which are blue, red and yellow; but I think this colouring
is not usual. The pigments are obtained from the sources described
above with reference to bark cloth.
The colouring of my specimen of No. 6 bag is also worked into the
bag in the process of knitting, or whatever that process should be
called. But this colouring merely consists of four faint horizontal
lines of pale reddish-brown; and I was told that these bags are
generally uncoloured, or only slightly coloured in thin lines.
The mourning vests worn by chiefs' widows are, I believe, made of
Mafulu network; but unfortunately I did not see one of these, and so
cannot describe them.
Art, Design, etc.
Art and design among the Mafulu people are only of a simple and
primitive type. There is no carving or other decoration on their
houses, or even on their _emone,_ nor is there any on their stone
or wooden implements. Art and design, other than the arrangement
of feather ornaments, is, in fact, apparently confined to the very
simple designs scratched upon some of their broad abdominal belts,
smoking pipes and lime gourds and perhaps occasionally on one
or two other things, and to the plaited designs displayed in the
manufacture of other abdominal belts and of arm and leg ornaments
and plaited forehead ornaments and feather frames, and to the very
simple linear patterns in which some of their network is made, and
the ground-staining and pattern-colouring of their perineal bands,
dancing aprons and ribbons. As regards the latter, the designs are of
a very simple nature, never apparently representing anything either
realistically or conventionally, and being confined to geometric
designs of straight lines and bands, rectangular and zig-zag patterns
with coloured triangles within the zig-zag patterns, and spots. The
patterns of the perineal bands and dancing ribbons are very simple
indeed; but those of the dancing aprons are more elaborate, covering
a considerable surface of cloth, and often displaying a fair variety
of design on the same apron.
The Mafulu have no visible method of recording events or numbers,
or sending messages, either by marks or notches on sticks, or tying
of knots in string, or any other method, and they are quite unable
to grasp the meaning of a map.
The limited nature of the ideas of artistic design possessed by the
Mafulu people is, I think, a matter for surprise.
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