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can be observed in the plate. I have one of these bags the lines in which are blue, red and yellow; but I think this colouring is not usual. The pigments are obtained from the sources described above with reference to bark cloth. The colouring of my specimen of No. 6 bag is also worked into the bag in the process of knitting, or whatever that process should be called. But this colouring merely consists of four faint horizontal lines of pale reddish-brown; and I was told that these bags are generally uncoloured, or only slightly coloured in thin lines. The mourning vests worn by chiefs' widows are, I believe, made of Mafulu network; but unfortunately I did not see one of these, and so cannot describe them. Art, Design, etc. Art and design among the Mafulu people are only of a simple and primitive type. There is no carving or other decoration on their houses, or even on their _emone,_ nor is there any on their stone or wooden implements. Art and design, other than the arrangement of feather ornaments, is, in fact, apparently confined to the very simple designs scratched upon some of their broad abdominal belts, smoking pipes and lime gourds and perhaps occasionally on one or two other things, and to the plaited designs displayed in the manufacture of other abdominal belts and of arm and leg ornaments and plaited forehead ornaments and feather frames, and to the very simple linear patterns in which some of their network is made, and the ground-staining and pattern-colouring of their perineal bands, dancing aprons and ribbons. As regards the latter, the designs are of a very simple nature, never apparently representing anything either realistically or conventionally, and being confined to geometric designs of straight lines and bands, rectangular and zig-zag patterns with coloured triangles within the zig-zag patterns, and spots. The patterns of the perineal bands and dancing ribbons are very simple indeed; but those of the dancing aprons are more elaborate, covering a considerable surface of cloth, and often displaying a fair variety of design on the same apron. The Mafulu have no visible method of recording events or numbers, or sending messages, either by marks or notches on sticks, or tying of knots in string, or any other method, and they are quite unable to grasp the meaning of a map. The limited nature of the ideas of artistic design possessed by the Mafulu people is, I think, a matter for surprise.
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