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collected crowds. Sometimes the presentation carried significance beyond mere entertainment. Here a maid, garbed as a wood nymph, appeared leading a swan which wore the collar of the Golden Fleece and a porcupine. This last beast was to symbolise the Orleans device, _Near and Far_, as the creature was supposed to project his spines to a distance. One enthusiastic citizen covered his whole house with gold and the roof with silver leaves to betoken his satisfaction. Indeed, if we may believe the chroniclers, never in the memory of man had any city incurred so much expense to honour its lord. The duke permitted his heart to be touched by these proofs of devotion, and on the very evening of his arrival he evinced that his confidence was restored by sending the civic keys and a gracious message to the magistrates. At the news of this condescension the cries of "_Noel_" re-echoed afresh through the illuminated streets. Charles was not present at this entry, which took place on Saturday, December 11th, but Philip was so much entertained with the performance that he sent for his son, and on the following Saturday he and the Countess of Charolais came from Ghent to join the party. The Duke of Orleans and many nobles rode out of the city to meet the young couple, who were formally escorted to the palace by magistrates and citizens in a body. On the Sunday there were repetitions of some of the plays and every attention was offered by the Bruges burghers to their young guests. When Orleans departed with his bride on Tuesday, December 14th, what wonder that the lady wept in sorrow at leaving these gay Burgundian doings! While Charles did not actually witness the humiliation of the citizens, the seven-year-old boy would, undoubtedly, have heard and known sufficient of the cause of the festivals to be fully aware that the citizens who had dared defy his father were glad to buy back his smiles at any cost to their pride and purse. He would have known, too, that merchants from Venice, Genoa, Florence, and elsewhere joined the Bruges burghers in the welcome to the mollified overlord. It was a spectacle of the relations between a city and the ducal father not to be easily forgotten by the son. [Footnote 1: The indefatigable Gachard has published an itinerary of Philip the Good, so far as he could make it. _(Collection des voyages des souverains des Pays Bas_, i., 71.) Unfortunately, owing to the destruction of papers, only a fe
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