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The Project Gutenberg EBook of Charles the Bold, by Ruth Putnam This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Charles the Bold Last Duke Of Burgundy, 1433-1477 Author: Ruth Putnam Release Date: December 28, 2004 [EBook #14496] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK CHARLES THE BOLD *** Produced by Jonathan Ingram, Lesley Halamek and the PG Online Distributed Proofreading Team [Illustration: CHARLES THE BOLD OF BURGUNDY (1433-1477) (FROM MS. STATUTE BOOK OF THE ORDER OF THE GOLDEN FLEECE, VIENNA) PAINTED BETWEEN 1518-1531] CHARLES THE BOLD LAST DUKE OF BURGUNDY 1433-1477 BY RUTH PUTNAM AUTHOR OF "WILLIAM THE SILENT," "A MEDIAEVAL PRINCESS," ETC. * * * * * G.P. PUTNAM'S SONS NEW YORK AND LONDON The Knickerbocker Press 1908 * * * * * COPYRIGHT 1908, BY G. P. PUTNAM'S SONS The Knickerbocker Press, New York * * * * * PREFACE The admission of Charles, Duke of Burgundy into the series of Heroes of the Nations, is justified by his relation to events rather than by his national or his heroic qualities. _"Il n'avait pas assez de sens ni de malice pour conduire ses entreprises,"_ is one phrase of Philip de Commines in regard to the master he had once served. Render _sens_ by _genius_ and _malice_ by _diplomacy_ and the words are not far wrong. Yet in spite of the failure to obtain either a kingly or an imperial crown, the story of those same unaccomplished enterprises contains the germs of much that has happened later in the borderlands of France and Germany where the projected "middle kingdom" might have been erected. A sketch of the duke's character with its traits of ambition and shortcomings may therefore be placed, not unfitly, among the pen portraits of individuals who have attempted to change the map of Europe. The materials for an exhaustive study of the times, and of the participants in the scenes thereof, are almost overwhelming in quantity. Into this narrative, I have woven the words of contemporaries when these related what they saw and thought, or at lea
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