rivelli, Madonnas and altar-pieces Brera, Nat. Gal.
Lon., Lateran, Berlin Gals.; Jacopo Bellini, Crucifixion
Verona Gal., Sketch-book Brit. Mus.; Gentile Bellini, Organ
Doors S. Marco, Procession and Miracle of Cross Acad.
Venice, St. Mark Brera; Giovanni Bellini, many pictures in
European galleries, Acad., Frari, S. Zaccaria SS. Giovanni e
Paolo Venice; Carpaccio, Presentation and Ursula pictures
Acad., St. George and St. Jerome S. Giorgio da Schiavone
Venice, St. Stephen Berlin Gal.; Cima, altar-pieces S. Maria
dell Orte, S. Giovanni in Bragora, Acad. Venice, Louvre,
Berlin, Dresden, Munich, Vienna, and other galleries;
Catena, Altar-pieces S. Simeone, S. M. Mater Domini, SS.
Giovanni e Paolo, Acad. Venice, Dresden, and in Nat. Gal.
Lon. (the Warrior and Horse attributed to "School of
Bellini"); Basaiti, Venice Acad. Nat. Gal. Lon., Vienna, and
Berlin Gals.; Previtali, altar-pieces S. Spirito Bergamo,
Brera, Berlin, and Dresden Gals., Nat. Gal. Lon., Venice
Acad.; Bissolo, Resurrection Berlin Gal., S. Caterina Venice
Acad.; Rondinelli, two pictures Palazzo Doria Rome, Holy
Family (No. 6) Louvre (attributed to Giovanni Bellini);
Diana, Altar-pieces Venice Acad.; Mansueti, large pictures
Venice Acad.; Antonella da Messina, Portraits Louvre, Berlin
and Nat. Gal. Lon., Crucifixion Antwerp Mus.

CHAPTER VIII.

ITALIAN PAINTING.

THE HIGH RENAISSANCE--1500-1600.

BOOKS RECOMMENDED: Those on Italian art before mentioned,
and also, Berenson, _Lorenzo Lotto_; Clement, _Michel Ange,
L. da Vinci, Raphael_; Crowe and Cavalcaselle, _Titian_;
same authors, _Raphael_; Grimm, _Michael Angelo_; Gronau,
_Titian_; Holroyd, _Michael Angelo_; Meyer, _Correggio_;
Moore, _Correggio_; Muntz, _Leonardo da Vinci_; Passavant,
_Raphael_; Pater, _Studies in History of Renaissance_;
Phillips, _Titian_; Reumont, _Andrea del Sarto_; Ricci,
_Correggio_; Richter, _Leonardo di Vinci_; Ridolfi, _Vita di
Paolo Cagliari Veronese_; Springer, _Rafael und Michel
Angelo_; Symonds, _Michael Angelo_; Taine, _Italy--Florence
and Venice_.

THE HIGHEST DEVELOPMENT: The word "Renaissance" has a broader meaning
than its strict etymology would imply. It was a "new birth," but
something more than the revival of Greek learning and the study of
nature entered into it. It was the grand c