stry of rich colors. That is art for art's sake,
and that, as will be seen further on, was the picture motive of the
great Venetians.

Correggio's immediate pupils and followers, like those of Raphael and
Andrea del Sarto, did him small honor. As was usually the case in
Renaissance art-history they caught at the method and lost the spirit
of the master. His son, Pomponio Allegri (1521-1593?), was a painter
of some mark without being in the front rank. Michelangelo Anselmi
(1491-1554?), though not a pupil, was an indifferent imitator of
Correggio. Parmigianino (1504-1540), a mannered painter of some
brilliancy, and of excellence in portraits, was perhaps the best of
the immediate followers. It was not until after Correggio's death, and
with the painters of the Decadence, that his work was seriously taken
up and followed.

PRINCIPAL WORKS: MILANESE--Leonardo da Vinci, Last Supper S.
M. delle Grazie Milan (in ruins), Mona Lisa, Madonna with
St. Anne (badly damaged) Louvre, Adoration (unfinished)
Uffizi, Angel at left in Verrocchio's Baptism Florence
Acad.; Luini, frescos Monastero Maggiore, 71 fragments in
Brera Milan, Church of the Pilgrims Sarrona, S. M. degli
Angeli Lugano, altar-pieces Duomo Como, Ambrosian Library
Milan, Brera, Uffizi, Louvre, Madrid, St. Petersburgh, and
other galleries; Beltraffio, Madonna Louvre, Barbara Berlin
Gal., Madonna Nat. Gal. Lon., fresco Convent of S. Onofrio
Rome (ascribed to Da Vinci); Marco da Oggiono, Archangels
and other works Brera, Holy Family Madonna Louvre; Solario,
Ecce Homo Repose Poldi-Pezzoli Gal. Milan, Holy Family
Brera, Madonna Portrait Louvre, Portraits Nat. Gal. Lon.,
Assumption Certosa of Pavia; Giampietrino, Magdalene Brera,
Madonna S. Sepolcro Milan, Magdalene and Catherine Berlin
Gal.; Cesare da Sesto, Madonna Brera, Magi Naples Mus.;
Gaudenzio Ferrara, frescos Church of Pilgrims Saronna, other
pictures in Brera, Turin Gal., S. Gaudenzio Novara, S. Celso
Milan.

SIENNESE--Sodoma, frescos Convent of St. Anne near Pienza,
Benedictine Convent of Mont' Oliveto Maggiore, Alexander and
Roxana Villa Farnesina Rome, S. Bernardino Palazzo Pubblico,
S. Domenico Sienna, pictures Uffizi, Brera, Munich, Vienna
Gals.; Pacchiarotto, Ascension Visitation Sienna Gal.;
Girolamo del Pacchia, frescos (3) S. Bernardino,
altar-pieces S. Spirito and S