rning. My only
wish is to select from all the forms of spelling, the most simple and
consistent. Constant changes are taking place in the method of making
words, and we would not refuse to cast in our mite to make the standard
more correct and easy. We would prune off by degrees all unnecessary
appendages, as unsounded or italic letters, and write out words so as to
be capable of a distinct pronunciation. But this change must be
_gradually_ effected. From the spelling adopted two centuries ago, a
wonderful improvement has taken place. And we have not yet gone beyond
the possibility of improvement. Let us not be too sensitive on this
point, nor too tenacious of old forms. Most of our dictionaries differ
in many respects in regard to the true system of orthography, and our
true course is to adopt every improvement which is offered. Thro out
this work we shall spell some words different from what is customary,
but intend not, thereby, to incur the ignominy of bad spellers. Let
small improvements be adopted, and our language may soon be redeemed
from the difficulties which have perplexed beginners in their first
attempts to convey ideas by written words.[1]
In that department of language denominated Etymology, we shall contend
that all words are reducible to two general classes, nouns and verbs;
or, _things_ and _actions_. We shall, however, admit of subdivisions,
and treat of pronouns, adjectives, and contractions. We shall contend
for only two cases of nouns, one kind of pronouns, one kind of verbs,
that all are active; three modes, and as many tenses; that articles,
adverbs, prepositions, conjunctions, and interjections, have no
distinctive character, no existence, in fact, to warrant a "local
habitation or a name."
In the composition of sentences, a few general rules of Syntax may be
given; but the principal object to be obtained, is the possession of
correct ideas derived from a knowledge of things, and the most approved
words to express them; the combination of words in a sentence will
readily enough follow.
Prosody relates to the quantity of syllables, rules of accent and
pronunciation, and the arrangement of syllables and words so as to
produce harmony. It applies specially to versification. As our object is
not to make poets, who, it is said, "are born, and not made," but to
teach the true principles of language, we shall give no attention to
this finishing stroke of composition.
In our next we shall lay b
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