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large bodies of priests and the formation of monasteries as centres of literary and religious activity, there were required stability and permanence in the imperial court itself. While, therefore, the humble village temples arose all over the country, there were early erected, in the place where the court and emperor dwelt, impressive religious edifices.[13] The custom of migration ceased, and a fixed spot selected as the capital, remained such for a number of generations, until finally Heian-j[)o] or the place of peace, later called Ki[=o]to, became the "Blossom Capital" and the Sacred City for a thousand years. At Nara, where flourished the first six sects introduced from Korea, were built vast monasteries, temples and images, and thence the influence of civilisation and art radiated. From the first, forgetting its primitive democracy and purely moral claims, Buddhism lusted for power in the State. As early as A.D. 624, various grades were assigned to the priesthood by the government.[14] The sects eagerly sought and laid great stress upon imperial favor. To this day they keenly enjoy the canonization of their great teachers by letters patent from the Throne. Ministers of Art. On the establishment of the imperial capital, at Ki[=o]to, toward the end of the eighth century, we find still further development and enlargement of those latent artistic impulses with which the Heavenly Father endowed his Japanese child. That capacity for beauty, both in appreciation and expression, which in our day makes the land of dainty decoration the resort of all those who would study oriental art in unique fulness and decorative art in its only living school--a school founded on the harmonious marriage of the people and the nature of the country--is discernible from quite early ages. The people seem to have responded gladly to the calls for gifts and labor. The direction from which it is supposed all evils are likely to come is the northeast; this special point of the compass being in pan-Asian spiritual geography the focus of all malign influences. Accordingly, the Mikado Kwammu, in A.D. 788, built on the highest mountain called Hiyei a superb temple and monastery, giving it in charge of the Ten-dai sect, that there should ever be a bulwark against the evil that might otherwise swoop upon the city. Here, as on castellated walls, should stand the watchman, who, by the recitation of the sacred liturgies, would keep watch and ward
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