he satin.

[Page 44]
[Illustration: Fig. 58]

_Satin Serge._

On 8 shafts, straight draw.

* * * *

[Illustration: Fig. 59]

_Cote Satinee._

On 16 harness, skip draw.

* * * *

_Rhadzimir-Surah 2-2._ After a certain number of picks of the regular surah
all the warp-threads are crossed in two's thereby causing a sort of a rib
or cut line across the fabric.

[Page 45]
_Rhadzimir of 4 picks._

On 8 shafts, straight draw.

[Illustration: Fig. 60]

* * * *

_Rhadzimir of 6 picks._

On 8 shafts, straight draw.

[Illustration: Fig. 61]

* * * * *

[Page 46]
3. From the Satin Weave

_Satin Soleil_ shows a satin-like surface with a cross line appearance.
Fig. 62 illustrates it as made on 8 shafts, straight draw.

[Illustration: Fig. 62]

* * * *

_Satin Grec_ is a 12-harness satin, in which a taffeta point is added to
each place of interlacing, thus giving the cloth a much firmer hand. Fig.
63 represents this weave on 12 shafts, skip draw.

[Page 47]
[Illustration: Fig. 63]

* * * *

_Peau de Soie._ An 8-shaft satin with one point added on the right or left
to the original spots, giving the fabric a somewhat grainy appearence. Fig.
64 represents a peau de soie on 8 shafts, straight through.

[Illustration: Fig. 64]

* * * *

[Page 48]
_Fleur de Soie._ The face is a satin de Lyon (2-1 twill), with a backing
interlaced on the 12-shaft satin principle, Fig. 65, on 12 shafts, skip
draw.

[Illustration: Fig. 65]

* * * * *

[Page 49]
CANNELE and REPP WEAVES

are in their construction related to the taffeta, and are used mostly in
the form of stripes as an additional ornament to a fabric. The threads
going into the composition of these effects exchange continually from
taffeta interlacing to floating over a certain number of threads, and must
be introduced either in warp or filling close enou