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tion, like to have my house tumbled about my ears.) But though it was impossible in the theatre of Herculaneum to gain any idea of its size or richness, I remembered there the magnificent bronzes which had been found in it, and did a hasty reverence to the place. Indeed, it is amazing, when one sees how small a part of Herculaneum has been uncovered, to consider the number of fine works of art in the Museo Borbonico which were taken thence, and which argue a much richer and more refined community than that of Pompeii. A third of the latter city has now been restored to the light of day; but though it has yielded abundance of all the things that illustrate the domestic and public life, and the luxury and depravity of those old times, and has given the once secret rooms of the museum their worst attraction, it still falls far below Herculaneum in the value of its contributions to the treasures of classic art, except only in the variety and beauty of its exquisite frescos. The effect of this fact is to stimulate the imagination of the visitor to that degree that nothing short of the instant destruction of Portici and the excavation of all Herculaneum will satisfy him. If the opening of one theatre, and the uncovering of a basilica and two or three houses, have given such richness to us, what delight and knowledge would not the removal of these obdurate hills of ashes and lava bestow! Emerging from the coal-bins and potato-cellars, the visitor extinguishes his candle with a pathetic sigh, profusely rewards the custodian (whom he connects in some mysterious way with the ancient population of the injured city about him), and, thoughtfully removing the tallow from his fingers, follows the course of the vile stream already sung, and soon arrives at the gate opening into the exhumed quarter of Herculaneum. And there he finds a custodian who enters perfectly into his feelings; a custodian who has once been a guide in Pompeii, but now despises that wretched town, and would not be guide there for any money since he has known the superior life of Herculaneum; who, in fine, feels toward Pompeii as a Bostonian feels toward New York. Yet the reader would be wrong to form the idea that there is bitterness in the disdain of this custodian. On the contrary, he is one of the best-natured men in the world. He is a mighty mass of pinguid bronze, with a fat lisp, and a broad, sunflower smile, and he lectures us with a vast and genial brea
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