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showed an iron ring in the wall of the House of Argo, standing at the end of the street, to which, he said, his former fellow-citizens used to fasten their boats, though it was all dry enough there now. There is evidence in Herculaneum of much more ambitious domestic architecture than seems to have been known in Pompeii. The ground-plan of the houses in the two cities is alike; but in the former there was often a second story, as was proven by the charred ends of beams still protruding from the walls, while in the latter there is only one house which is thought to have aspired to a second floor. The House of Argo is also much larger than any in Pompeii, and its appointments were more magnificent. Indeed, we imagined that in this more purely Greek town we felt an atmosphere of better taste in every thing than prevailed in the fashionable Roman watering-place, though this, too, was a summer resort of the "best society" of the empire. The mosaic pavements were exquisite, and the little bed-chambers dainty and delicious in their decorations. The lavish delight in color found expression in the vividest hues upon the walls, and not only were the columns of the garden painted, but the foliage of the capitals was variously tinted. The garden of the House of Argo was vaster than any of the classic world which we had yet seen, and was superb with a long colonnade of unbroken columns. Between these and the walls of the houses was a pretty pathway of mosaic, and in the midst once stood marble tables, under which the workmen exhuming the city found certain crouching skeletons. At one end was the dining-room, of course, and painted on the wall was a lady with a parasol. I thought all Herculaneum sad enough, but the profusion of flowers growing wild in this garden gave it a yet more tender and pathetic charm. Here--where so long ago the flowers had bloomed, and perished in the terrible blossoming of the mountain that sent up its fires in the awful similitude of Nature's harmless and lovely forms, and showered its destroying petals all abroad--was it not tragic to find again the soft tints, the graceful shapes, the sweet perfumes of the earth's immortal life? Of them that planted and tended and plucked and bore in their bosoms and twined in their hair these fragile children of the summer, what witness in the world? Only the crouching skeletons under the tables. Alas and alas! V. The skeletons went with us throughout Herculan
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