(26), a medallion supported by two figures representing Justice
and Literature, and one (27) to his brother, William Long, in florid
Gothic style, with figures of Science and Benevolence. Dr. Waaegen, in
his "Art Treasures of Great Britain," says: "The three monuments by
Flaxman (in Salisbury) two of which are in Gothic taste, prove that he
was superior to most English sculptors in knowledge of the
architectonic style. There is nothing extraordinary in the design, but
the workmanship is good, and there is real feeling in the heads."

In the north choir aisle, at its junction with the great transept, is
a large Purbeck marble altar tomb (28), with panels and tracery,
despoiled of the brass legend and armorial bearings it formerly
exhibited. This is supposed to have commemorated Bishop Woodville, who
died 1484. Two marble slabs that until 1778 were in the floor of this
side beneath the first arch of the choir, and in the corresponding
place on the south side, have been also stripped of their brasses
which showed them to belong to Bishop Simon of Ghent, 1315, and Bishop
Mortival, 1330.

On the bench of this aisle is a figure (29) of a skeleton said to
represent a man named Fox, who tried to fast forty days. A similar
legend is told of the next figure (30), in memory of Dr. Bennett,
Precentor of Salisbury (1541 to 1544). It is needless to say that both
stories are mere inventions; in many monuments the effigy of the hero
commemorated was shown in full pomp above, while in a niche below the
skeleton was depicted, by way of pointing a moral too obvious to need
further comment.

A brass, in replica of the original, has been reinserted in the marble
slab that commemorates Bishop Jewell (1560-71) (31). The next monument
(32), for a long time attributed to Bishop Bingham (1229-47), has a
flat pointed arch terminating in a decorated finial, above which rises
a sort of pyramid of three stories, below is a slab formerly inlaid
with brass. Later antiquaries, in spite of the fourteenth century
character of its detail, assign it to Bishop Scammel (1284-87). The
Audley chapel (33) is entered from this aisle.

In the north-east choir transept aisle are three gravestones of
Bishops Wyville (1375), Gheast (1576), and Jewell (1571), removed from
the choir when its marble pavement was laid down. In the floor of this
transept, which is known also as the morning chapel, is the famous
brass to Bishop Wyvill (34), one that has been repeatedl