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demand on him, in the name of everything dearest and most sacred, to arise and act. And for a moment, though his brain reels and totters,[46] his soul leaps up in passion to answer this demand. But it comes too late. It does but strike home the last rivet in the melancholy which holds him bound. The time is out of joint! O cursed spite That ever I was born to set it right,-- so he mutters within an hour of the moment when he vowed to give his life to the duty of revenge; and the rest of the story exhibits his vain efforts to fulfil this duty, his unconscious self-excuses and unavailing self-reproaches, and the tragic results of his delay. 4 'Melancholy,' I said, not dejection, nor yet insanity. That Hamlet was not far from insanity is very probable. His adoption of the pretence of madness may well have been due in part to fear of the reality; to an instinct of self-preservation, a fore-feeling that the pretence would enable him to give some utterance to the load that pressed on his heart and brain, and a fear that he would be unable altogether to repress such utterance. And if the pathologist calls his state melancholia, and even proceeds to determine its species, I see nothing to object to in that; I am grateful to him for emphasising the fact that Hamlet's melancholy was no mere common depression of spirits; and I have no doubt that many readers of the play would understand it better if they read an account of melancholia in a work on mental diseases. If we like to use the word 'disease' loosely, Hamlet's condition may truly be called diseased. No exertion of will could have dispelled it. Even if he had been able at once to do the bidding of the Ghost he would doubtless have still remained for some time under the cloud. It would be absurdly unjust to call _Hamlet_ a study of melancholy, but it contains such a study. But this melancholy is something very different from insanity, in anything like the usual meaning of that word. No doubt it might develop into insanity. The longing for death might become an irresistible impulse to self-destruction; the disorder of feeling and will might extend to sense and intellect; delusions might arise; and the man might become, as we say, incapable and irresponsible. But Hamlet's melancholy is some way from this condition. It is a totally different thing from the madness which he feigns; and he never, when alone or in company with Horatio alone, exhibits the sig
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