if the phrase may be allowed) as the symbol of a tragic
mystery inherent in human nature. Wherever this mystery touches us,
wherever we are forced to feel the wonder and awe of man's godlike
'apprehension' and his 'thoughts that wander through eternity,' and at
the same time are forced to see him powerless in his petty sphere of
action, and powerless (it would appear) from the very divinity of his
thought, we remember Hamlet. And this is the reason why, in the great
ideal movement which began towards the close of the eighteenth century,
this tragedy acquired a position unique among Shakespeare's dramas, and
shared only by Goethe's _Faust_. It was not that _Hamlet_ is
Shakespeare's greatest tragedy or most perfect work of art; it was that
_Hamlet_ most brings home to us at once the sense of the soul's
infinity, and the sense of the doom which not only circumscribes that
infinity but appears to be its offspring.

FOOTNOTES:

[Footnote 25: It may be convenient to some readers for the purposes of
this book to have by them a list of Shakespeare's plays, arranged in
periods. No such list, of course, can command general assent, but the
following (which does not throughout represent my own views) would
perhaps meet with as little objection from scholars as any other. For
some purposes the Third and Fourth Periods are better considered to be
one. Within each period the so-called Comedies, Histories, and Tragedies
are respectively grouped together; and for this reason, as well as for
others, the order within each period does not profess to be
chronological (_e.g._ it is not implied that the _Comedy of Errors_
preceded _1 Henry VI._ or _Titus Andronicus_). Where Shakespeare's
authorship of any considerable part of a play is questioned, widely or
by specially good authority, the name of the play is printed in italics.

_First Period_ (to 1595?).--Comedy of Errors, Love's Labour's Lost, Two
Gentlemen of Verona, Midsummer-Night's Dream; _1 Henry VI._, _2 Henry
VI._, _3 Henry VI._, Richard III., Richard II.; _Titus Andronicus_,
Romeo and Juliet.

_Second Period_ (to 1602?).--Merchant of Venice, All's Well (better in
Third Period?), _Taming of the Shrew_, Much Ado, As You Like it, Merry
Wives, Twelfth Night; King John, 1 Henry IV., 2 Henry IV., Henry V.;
Julius Caesar, Hamlet.

_Third Period_ (to 1608?).--Troilus and Cressida, Measure for Measure;
Othello, King Lear, _Timon of Athens_, Macbeth, Antony and Cleopatra,
Coriolanus.