FREE BOOKS

Author's List




PREV.   NEXT  
|<   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187  
188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   >>   >|  
In males, as far as I was able to judge, baritone voices were the most prevalent; in female voices, soprano. Their typical songs were chiefly performed in a chorus by men only, although once or twice I heard solos--which, nevertheless, always had a refrain for the chorus. The Bororos sang in fair harmony more than in unison, keeping regular time, and with occasional bass notes and noises by way of accompaniment. They possessed no musical instruments of any importance--a most primitive flute, and one or several gourds filled with seeds or pebbles, being, as far as I could trace, the only two musical instruments among them. Their songs contained progressions in chromatic intervals. Those progressions were not only frequently repeated in the same melody, but some of the favourite ones recurred in several of their melodies. They frequently broke from one key into another, not gradually or with modulations, but very abruptly. There were constant and sudden changes in the _tempo_ of their melodies, accelerations being frequently caused by excitement in the performers, by incidents occurring, by anger or other passions being aroused. They had no set rules--nor, of course, any written music. The melodies were sung according to the temporary feelings of the performers, who occasionally adorned their performances with variations. Practically they improvised, if led by a musical talent, as they went along. Still, mind you, even when they improvised, the character of the songs was the same, although they may have added so many variations and embellishments to the theme as to make it impossible to identify them. Furthermore, no two choruses ever sang the same songs alike, nor did the same chorus sing the same song twice alike. There were in their melodies great changes in the degree of loudness. Those changes were generally gradual, although often extremely rapid. [Illustration: Bororo Chief. Rattling gourds filled with pebbles, in order to call members of his tribe.] The Bororos seemed to be greatly carried away by music, which had upon them quite an intoxicating effect. There were certain high notes and chords in a minor key which had a great attraction for them, and which constantly recurred in their melodies and their lengthy ululations. Some of the notes had undoubtedly been suggested by the song of local birds and by sounds of wild animals. The Bororos were good imitators of sounds, which they could often reproduce to p
PREV.   NEXT  
|<   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187  
188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   >>   >|  



Top keywords:

melodies

 

Bororos

 
frequently
 

musical

 
chorus
 

gourds

 
filled
 

pebbles

 
voices
 

instruments


progressions

 
recurred
 

performers

 
sounds
 
improvised
 

variations

 

degree

 

loudness

 

gradual

 

generally


talent
 

embellishments

 
impossible
 
identify
 

choruses

 
Furthermore
 

character

 

lengthy

 

ululations

 
undoubtedly

constantly
 

attraction

 
chords
 

suggested

 

imitators

 
reproduce
 

animals

 

effect

 

members

 

Rattling


Illustration

 

Bororo

 

intoxicating

 

greatly

 

carried

 
extremely
 

possessed

 

importance

 

primitive

 
prevalent